Performing with a post-genre ethos: a performance-led exploration of post-genre and indie classical music

Welch, Kieran (2017). Performing with a post-genre ethos: a performance-led exploration of post-genre and indie classical music MPhil Thesis, School of Music, The University of Queensland. doi:10.14264/uql.2017.454

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Author Welch, Kieran
Thesis Title Performing with a post-genre ethos: a performance-led exploration of post-genre and indie classical music
School, Centre or Institute School of Music
Institution The University of Queensland
DOI 10.14264/uql.2017.454
Publication date 2017-03-27
Thesis type MPhil Thesis
Supervisor Robert Davidson
Patricia Pollett
Total pages 153
Total black and white pages 153
Language eng
Subjects 190407 Music Performance
1904 Performing Arts and Creative Writing
Formatted abstract
Over the past decade, a new movement of performers and composers has emerged. Though drawing from the Western art-music tradition, these musicians non-hierarchically incorporate elements from many different genres, movements and disciplines into their work. Moving past genre labels and downplaying notions of “high” or “low” art, they place importance on an equal and open composer-performer-audience relationship. Many of these musicians would identify with the term “post-genre.” Many prominent post-genre musicians have been described as “indie classical” by various critics, however this label quickly proves to be problematic, as it attempts to stylistically define a movement that is inherently fluid and indefinable.

This project forms an in-depth academic study of post-genre music, and a scholarly discussion of the term “indie classical.” Through a literature review and interviews with a number of prominent post-genre musicians, it discusses the emergence and context of post-genre music, and examines the relationship between post-genre and the label “indie classical” while discussing the problems inherent with the latter label.

Furthermore, this research forms a premiere performance-led examination of post-genre music. By combining the above literature review and interviews with performance-led research, it has found there is a new performance practice emerging through the post-genre movement, and discusses what this means for musicians, music organisations and educational institutions. Furthermore, it finds that when presented effectively, post-genre music can successfully connect with a diverse range of demographics—particularly ones that traditional classical music is currently struggling to attract—and the thesis incorporates audience surveys from the author’s concerts to suggest a number of methods to enhance the presentation of post-genre music.
Keyword Music
Post-genre
Post genre
Post-minimalism
Postminimalism
Postminimalist music
Post genre music
Post-genre music
Contemporary
Classical
Indie classical
Indie-classical
Performance
Concert
Audience

Document type: Thesis
Collections: UQ Theses (RHD) - Official
UQ Theses (RHD) - Open Access
 
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Created: Fri, 17 Mar 2017, 14:05:33 EST by Kieran Welch on behalf of Learning and Research Services (UQ Library)