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Stadler, Jane, Mitchell, Peta and Carleton, Stephen (2014): A cultural atlas of Australia: mediated spaces in film, literature, and theatre. The University of Queensland. Collection. doi:10.14264/uql.2016.839     2
Stadler, Jane (2014). Affect, film and. In Edward Branigan and Warren Buckland (Ed.), The Routledge Encyclopedia of Film Theory (pp. 1-6) Abingdon, Oxon, United Kingdom: Routledge.   14
Stadler, Jane (2013) Affectless empathy, embodied imagination, and "The Killer Inside Me". Screening the Past, 37 .   9
Stadler, Jane (2004) AIDS ads: Make a commercial, make a difference? Corporate social responsibility and the media. Continuum: Journal of Media and Cultural Studies, 18 4: 591-610. doi:10.1080/1030431042000297699   11 0
Stadler, Jane (2019). “Atopian Landscapes: Gothic Tropes in Australian Cinema.”. In Felicity Collins, Jane Landman and Susan Bye (Ed.), A Companion to Australian Cinema (pp. 1-27) Richmond, VIC Australia: Wiley-Blackwell.    
Stadler, Jane (2015). Australian film locations. In Ben Goldsmith, Mark Ryan and Geoff Lealand (Ed.), Directory of world cinema: Australian and New Zealand 2 2nd ed. (pp. 23-25) Bristol, United Kingdom: Intellect Books.    
Lawrence, Catherine Anne (2011). Authentic traditions on show?. In Tricia Hopton, Adam Atkinson, Jane Stadler and Peta Mitchell (Ed.), Pockets of change: Adaptation and cultural transition (pp. 95-108) Lanham, MD, USA: Lexington Books.    
Stadler, Jane (2007) Becoming the Other: Multiculturalism in Joss Whedon’s Angel. FlowTV, 7 4: .    
Stadler, Jane (2013). Cinema's compassionate gaze: empathy, affect, and aesthetics in "The Diving Bell and the Butterfly". In Jinhee Choi and Mattias Frey (Ed.), Cine-Ethics: Ethical Dimensions of Film Theory, Practice, and Spectatorship (pp. 27-42) New York, NY, USA: Routledge.   9
Stadler, Jane (2018) Cinesonic imagination: the somatic, the sonorous, and the synaesthetic. Cinephile, 12 1: 8-15.    
Stadler, Jane (2015) Conceptualizing and Mapping Geocultural Space. International Journal of Humanities and Arts Computing, 9 2: 133-141. doi:10.3366/ijhac.2015.0145     1 0
Stadler, Jane, Mitchell, Peta and Carleton, Stephen (2011) Cultural atlas of Australia. St Lucia, QLD, Australia, The University of Queensland.    
Stadler, Jane (2012). Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film. In Julia Vassilieva and Constantine Verevis (Ed.), After taste: Cultural value and the moving image (pp. 37-48) London, United Kingdom: Routledge.   6
Stadler, Jane (2010) Cultural value and viscerality in Sukiyaki Western Django: Towards a phenomenology of bad film. Continuum, 24 5: 679-691. doi:10.1080/10304312.2010.505334   1 1 Cited 3 times in Scopus3 0
Deacon, Andrew E., Morrison, Andrew and Stadler, Jane (2005) Designing for learning through multimodal production: film narrative and spectatorship in Director’s Cut. International Journal of Education and Development Using Information and Communication Technology, 1 1: 72-89.   2
Morrison, Andrew, Deacon, Andrew and Stadler, Jane (2005). Designs for learning about film spectatorship. In: Conference Proceedings: Nordic Design Research Conference: In the Making. Nordic Design Research Conference: In the Making, Copenhagen, Denmark, (1-10). 29–31 May 2005.    
Nguyen, Vinh Thai, Sonkusare, Saurabh, Stadler, Jane, Hu, Xintao, Breakspear, Michael and Guo, Christine Cong (2016) Distinct cerebellar contributions to cognitive-perceptual dynamics during natural viewing. Cerebral Cortex, 27 12: 5652-5662. doi:10.1093/cercor/bhw334     5 Cited 3 times in Scopus3 6
Stadler, Jane (2014). Emotion, film and. In Edward Branigan and Warren Buckland (Ed.), The Routledge Encyclopedia of Film Theory (pp. 151-156) Abingdon, Oxon, UK: Routledge.   9
Stadler, Jane (2017). Empathy in film. In Heidi Maibom (Ed.), Routledge handbook of philosophy of empathy (pp. 317-326) New York: Routledge. doi:10.4324/9781315282015     Cited 1 times in Scopus1 43
Stadler, Jane (2016) Experiential realism and motion pictures: a neurophenomenological approach. Studia Phænomenologica, XVI 439-465. doi:10.5840/studphaen20161616     0 0
Mitchell, Peta and Stadler, Jane (2010) Imaginative cinematic geographies of Australia: The mapped view in Charles Chauvel's Jedda and Baz Luhrmann's Australia. Historical Geography, 38 SPEC. ISSUE: 26-51.   25 Cited 5 times in Scopus5
Stadler, Jane, Mitchell, Peta and Carleton, Stephen Imagined landscapes: geovisualizing Australian spatial narratives. Bloomington, IN, United States: Indiana University Press, 2016.    
Stadler, Jane (2002) Intersubjective, embodied, evaluative perception: a phenomenological approach to the ethics of film. Quarterly Review of Film and Video, 19 3: 237-248. doi:10.1080/10509200214843     0
Atkinson, Adam, Hopton, Tricia, Stadler, Jane and Mitchell, Peta (2011). Introduction. Evolving the field: Adaptation studies in transition. In Tricia Hopton, Adam Atkinson, Jane Stadler and Peta Mitchell (Ed.), Pockets of change: Adaptation and cultural transition (pp. xv-xxii) Lanham, MD, U.S.A.: Lexington Books.   3
Stadler, Jane (2002). Losing the Plot: Narrative Form and Ethical Identity in Lost Highway. In Stoehr, Kevin L. (Ed.), Film and Knowledge: Essays on the Integration of Images and Ideas 1 ed. (pp. 17-36) Jefferson, North Carolina: McFarland.   58
Stadler, Jane (2012) Mapping the cinematic journey of Alexander Pearce, cannibal convict. Screening the Past, 34 .    
Stadler, Jane (2006). Media and disability. In B. Watermeyer, L. Swartz, T. Lorenzo, M. Schneider and M. Priestley (Ed.), Disability and Social Change: A South African Agenda (pp. 373-386) South Africa: Human Sciences Research Council Press.    
O'Shaughnessy, Michael and Stadler, Jane Media and society 5th ed. South Melbourne, VIC, Australia: Oxford University Press, 2012.    
Stadler, Jane, O’Shaughnessy, Michael and Casey, Sarah Media and Society Sixth Edition ed. Melbourne, VIC: Oxford University Press, 2016.    
O’Shaughnessy, Michael and Stadler, Jane Media and society 4th ed. South Melbourne, Australia: Oxford University Press, 2008.    
O’Shaughnessy, Michael and Stadler, Jane Media and Society: An Introduction 3rd ed. Australia: Oxford University Press, 2005.    
O’Shaughnessy, Michael and Stadler, Jane Media and Society: An Introduction 2nd ed. Oxford: Oxford University Press: Australia, 2002.    
Stadler, Jane (2018) ‘Mind the Gap’: Between Movies and Mind, Affective Neuroscience and the Philosophy of Film. Projections: Journal of Movies and Mind, 12 2: 86-94. doi:10.3167/proj.2018.120211     0 0 1
Stadler, Jane (2006). Miranda Green: find your talent and follow your dream. In M. Green (Ed.), A milliner's tale : images of beauty and integrity (pp. 96-96) Western Australia: Lionheart Publishing.    
Deacon, Andrew, Morrison, Andrew and Stadler, Jane (2010). Multimodal production and semiotic resources for learning about film narrative. In Andrew Morrison (Ed.), Inside multimodal composition (pp. 221-248) Cresskill, NJ, United States: Hampton Press.   11
Stadler, Jane (2003) Narrative, understanding and identification in ‘Steps for the Future’ HIV/AIDS documentaries. Visual Anthropology Review, 19 1-2: 86-101. doi:10.1525/var.2003.19.1-2.86     Cited 6 times in Scopus6 0
Stadler, Jane and Mitchell, Peta (2010) Never-Never Land: Affective landscapes, the touristic gaze and heterotopic space in Australia. Studies in Australasian Cinema, 4 2: 173-187. doi:10.1386/sac.4.2.173_1     2 Cited 6 times in Scopus6 0
Stadler, Jane (2013) New Philosophies of Film: Thinking Images. Robert Sinnerbrink. British Journal of Aesthetics, 53 1: 131-133. doi:10.1093/aesthj/ays025   1 0 0
MacDougall, Kathleen, Swartz, Leslie, Stadler, Jane and Schneider, Maggie (2004) Nothing without us: Disability inclusion in the South African Mass Media : Child, Youth and Family Development, Human Sciences Research Council.    
Stadler, Jane (2011) Oreos, Topdeck and Eminem: Hybrid identities and global media flows. International Journal of Cultural Studies, 14 2: 153-172. doi:10.1177/1367877910387971     2 Cited 4 times in Scopus4 0
Pockets of change: Adaptation and cultural transition. Edited by Tricia Hopton, Adam Atkinson, Jane Stadler and Peta Mitchell Lanham, MD, USA: Lexington Books, 2011.    
Stadler, Jane Pulling focus: Intersubjective experience, narrative film, and ethics. New York, NY, U.S.A.: The Continuum International Publishing Group, 2008.   20
Mitchell, Peta and Stadler, Jane (2011). Redrawing the map: An interdisciplinary geocritical approach to Australian cultural narratives. In Robert T. Tally (Ed.), Geocritical explorations: Space, place, and mapping in literary and cultural studies (pp. 47-62) New York, NY, U.S.A.: Palgrave Macmillan. doi:10.1057/9780230337930     Cited 2 times in Scopus2 0
Stadler, Jane (2011) Review essay: Phenomenology goes to the movies. Projections (New York): The journal for movies and mind, 5 1: 87-101. doi:10.3167/proj.2011.050107   5 0 5
Stadler, Jane (2004). Risks and rewards: media, globalisation, and citizens of a democracy. In Communication for the citizens towards a contemporary society (pp. 181-202) Portugal: Municipality of Oeiras Europress.    
Stadler, Jane and McWilliam, Kelly Screen media: Analysing film and television. Crows News, Australia: Allen & Unwin, 2009.    
Stadler, Jane (2012). Screen media violence and the socialisation of young viewers. In Catherine L. Ward, Amelia van der Werwe and Andrew Dawes (Ed.), Youth violence: sources and solutions in South Africa (pp. 319-345) Cape Town, South Africa: University of Cape Town Press.   6
Rassell, Andrea, Robinson, Jenny, Verhagen, Darrin, Pink, Sarah, Redmond, Sean and Stadler, Jane (2016). Seeing, sensing sound eye-tracking soundscapes in Saving Private Ryan and Monsters, Inc.. In CarrieLynn D. Reinhard and Christopher J. Olson (Ed.), Making sense of cinema: empirical studies into film spectators and spectatorship (pp. 139-164) New York, United States: Bloomsbury Academic.     0
Stadler, Jane (2012) Seeing with green eyes: Tasmanian landscape cinema and the ecological gaze. Senses of Cinema, 65 .    
Robinson, Jennifer, Stadler, Jane and Rassell, Andrea (2015) Sound and sight: an exploratory look at Saving Private Ryan through the eye-tracking lens. Refractory: Journal of Entertainment Media, 25 .   4

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