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Hainge, Greg (2016) Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 4: 617-617. doi:10.1093/fs/knw184     0 0
Hainge, Greg (2012) A full face bright red money shot: Incision, wounding and film spectatorship in Marina de Van's Dans ma peau. Continuum: Journal of Media and Cultural Studies, 26 4: 565-577. doi:10.1080/10304312.2012.698036     1 Cited 1 times in Scopus1 0
Hainge, Greg (2009) Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 3: 201-214. doi:10.1386/sfc.9.3.201/1   5 2 0
Hainge, Greg and Simons, Jon (2015) A letter of thanks to a man of letters: Mark Millington and Culture, Theory and Critique. Culture, Theory and Critique, 56 3: 263-265. doi:10.1080/14735784.2015.1070977     0 0 1
Hainge, Greg. (2005). Allegorical Geographies: Topographical Transposition and Allegorical Function in Louis-Ferdinand Céline’s Aesthetic Spaces. In Jeanne Garane (Ed.), Discursive Geographies: Writing space and place in French (pp. 25-38) Amsterdam, Netherlands: Rodopi.   6
Hainge, Greg (2016) Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 2: 137-141. doi:10.1080/14735784.2016.1161903     0 Cited 1 times in Scopus1
Hainge, Greg (2008) A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 2: 147-174. doi:10.3828/cfc.2008.8    
Hainge, Greg (2002) A Taste for the Decadent. Review of Agnès Hafez-Ergaut 'Le vertige du vide: Huysmans, Céline, Sartre. Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2000.. Southern Review: Communication, Politics & Culture, 35 1: 139-141.    
Hainge, Greg (2002) A whisper or a scream? experimental music sounds a warning for the future of theory. Continuum: Journal of Media and Cultural Studies, 16 3: 285-298. doi:10.1080/1030431022000018654   256 0
Hainge, Greg (2018) Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 3: 94-111. doi:10.1080/0969725x.2018.1473931     0 0
Hainge, Greg (2014) Blue movies: Diva, The Smurfs 2 and the ontology of cinema. Sight and Sound, .    
Hainge, Greg (2015) Cadrage exquis: Reframing Jean-Jacques Beineix's Diva. Australian Journal of French Studies, 52 2: 112-126. doi:10.3828/ajfs.2015.10     0 0 0
Hainge, Greg Capitalism and schizophrenia in the later novels of Louis-Ferdinand Céline : D'un ... l'autre. New York, United States: Peter Lang Publishing, 2001.    
Hainge, Greg (2005) Carax and the ambiguities - a book that needs to fail, perhaps: on Daly and Dowd's Leos Carax. Film-Philosophy, 9 4: .   20
Hainge, Greg (2012) Celine Chez les fils de la Perfide Albion: Les etudes Celiniennes dans le contexte Universitaire Anglophone depuis 1961. Études Céliniennes, 7 5-19.   4
Hainge, G. (2001) Celine: from one end to the other. French Studies, 55 4: 566-567. doi:10.1093/fs/55.4.566-a     0 0
Hainge, Greg (1999). Céline: classique anti-classique. In: Classicisme de Céline; Actes du XIIe colloque international Louis-Ferdinand Céline pp.155-167, Paris, (155-167). 1999.    
Hainge, Greg (2004) Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick, 5: 42-58.    
Culture, Theory and Critique (2011) Volume 52 Issue 2-3    
Culture, Theory and Critique (2016) Volume 57 Issue 2    
Culture Theory and Critique (2006) Volume 47 Issue 2    
Culture, Theory and Critique (2005) Volume 46 Issue 1    
Culture, Theory and Critique (2008) Volume 49 Issue 1    
Culture, Theory and Critique (2010) Volume 51 Issue 2    
Culture, Theory and Critique: Special Issue: Mimesis and Culture (2013) Volume 54 Issue 2    
Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought (2011) Volume 52 Issue 2-3    
Culture, Theory and Critique: Special Issue: The Histor(icit)y of Theory (2008) Volume 49 Issue 1    
Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity (2010) Volume 51 Issue 2    
Hainge, Greg (2014) David Novak. Japanoise: Music at the Edge of Circulation. Asian Studies Review, 38 2: 309-310. doi:10.1080/10357823.2014.902738     0 0
Powrie, Phil, Austin, Guy, Conway, Kelley, Dobson, Julia, Hainge, Greg, Higbee, Will, Leahy, Sarah and Martin, Florence (2014) Editorial. Studies in French Cinema, 14 1: 1-4. doi:10.1080/14715880.2014.891373     0 0 0
Hainge, Greg and Cullen, Jason (2011) Formulating God: The ongoing place of theology in the philosophy of Gilles Deleuze. Culture, Theory and Critique, 52 2-3: 303-319. doi:10.1080/14735784.2011.630888     0 0 0
Hainge, Greg (2003) Frozen Music [Book Review]. Southern Review: Communication, Politics & Culture, 36 2: 80-81.    
Hainge, Greg (2014) Guerre et exil chez Louis-Ferdinand Céline: Ana Maria Alves. Modern and Contemporary France, 22 2: 253-254. doi:10.1080/09639489.2013.870144     0 0
Hainge, Greg (2001) Impossible narratives: Colonial spaces of dissolution in Voyage au bout de la nuit and To have and to hold. Australian Journal of French Studies, 38 2: 253-271. doi:10.3828/AJFS.38.2.253   973 1
Hainge, Greg (2002) In search of Frenchness lost? French Cinema in the 1990s: Continuity and Difference. Edited by Phil Powrie. Film-Philosophy, 6 2: .   13
Hainge, G. (2006). Interdisciplinarity in rhizome minor: On avoiding rigor mortis through a rigorous approach to jazz, metal, wasps, orchids and other strange couplings. In Ramière, N. and Varshney, R. (Ed.), Rhizomes: Connecting Languages, Cultures and Literatures (pp. 2-12) Newcastle, UK: Cambridge Scholars Publishing.    
Hainge, Greg (1999) Introduction. Renaissance and Modern Studies, 42 1: 1-4. doi:10.1080/14735789909391485    
Hainge, Greg (2004). Is Pop Music?. In I. Buchanan and M. Swiboda (Ed.), Deleuze and Music (pp. 36-53) Edinburgh: Edinburgh University Press.   228
Hainge, Greg (2014) Jonathan Ervine, cinema and the Republic: filming on the margins in contemporary France. H-France Review, 14 148: 1-4.    
Pratt, Murray, Stephens, Elizabeth, Rolls, Alistair, Hardwick, Joe and Hainge, Greg (2011) Larry Schehr. Australian Journal of French Studies, 48 3: 348-352.     0
Hainge, Greg (2015). L'art (immersif) des bruits. In Luc Robene and Philippe Liotard (Ed.), Le corps du Rock et arts immersifs (pp. 151-161) Paris, France: CNRS (Centre National de la Recherche Scientifique) Éditions.    
Hainge, Greg (2007) Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 2: 153-171. doi:10.3828/AJFS.44.2.153     3 Cited 4 times in Scopus4
Hainge, Greg (2001). Le fol amour du Dr Destouches, ou comment j'ai appris à ne plus m'en faire et à lire les pamphlets: Louis-Ferdinand Céline et Stanley Kubrick. In Actualité de Céline (pp. 143-158) Tusson: Du Lérot.    
Hainge, Greg (2003) Le Prologue de Guignol’s band comme porte vers l'espace lisse, ou, chronique manquée d'une réussite à venir. Essays in French Literature, 40 57-79.    
Hainge, Greg (2001). L'insoutenable pesanteur de l'être et l'esthétique imperceptible: l'épisode de la brique dans Rigodon, Pesanteur et légèreté selon Céline. In: Actes du XIIIe colloque international Louis-Ferdinand Céline. XIIIe colloque international Louis-Ferdinand Céline, Prague, (181-192). 2001.    
Hainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. In John West-Sooby (Ed.), Nowhere is perfect: French and Francophone utopias/dystopias (pp. 228-239) Newark, DE, United States: University of Delaware Press.   3
Hainge, Greg (2016). Material music: speculations on non-human agency in music. In Sally Macarthur, Judy Lochhead and Jennifer Shaw (Ed.), Music's immanent future: the Deleuzian turn in music studies (pp. 207-217) Abingdon, Oxon, United Kingdom: Routledge.     0
Hainge, Greg (2013) Metacritique in the eighth circle of hell. Symploke, 21 1-2: 341-345. doi:10.1353/sym.2013.0024   3 0 0
Hainge, Greg (2015). Neither here nor there: Lynch dissolves. In David Lynch: between two worlds (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art.    
Hainge, Greg Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic, 2013.   9

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