Francois Rabbath's A New Technique for Double Bass and its orchestral application

Williamson, Chloe (2013). Francois Rabbath's A New Technique for Double Bass and its orchestral application MPhil Thesis, School of Music, The University of Queensland. doi:10.14264/uql.2014.153

       
Attached Files (Some files may be inaccessible until you login with your UQ eSpace credentials)
Name Description MIMEType Size Downloads
s41147494_mphil_submission.pdf Thesis (fulltext) application/pdf 21.72MB 0
Author Williamson, Chloe
Thesis Title Francois Rabbath's A New Technique for Double Bass and its orchestral application
Formatted title
François Rabbath’s A New Technique for Double Bass and its orchestral application 
School, Centre or Institute School of Music
Institution The University of Queensland
DOI 10.14264/uql.2014.153
Publication date 2013-01-01
Thesis type MPhil Thesis
Supervisor Denis Collins
Total pages 51
Language eng
Subjects 1904 Performing Arts and Creative Writing
190409 Musicology and Ethnomusicology
Formatted abstract
This critical commentary focuses on the innovative pedagogical ideas of François Rabbath (b. 1931), an internationally acclaimed and self-taught double bass virtuoso and composer. There is particular focus on the left-hand techniques presented in Rabbath’s Nouvelle Technique de la Contrebasse (A New Technique for the Double Bass), published in four volumes between 1977 and 2012, which included translations in English, Spanish and German. The aim is to show how these techniques may be applied effectively to orchestral double bass repertoire in addition to solo repertoire for this instrument. First, the context for Rabbath’s work is established through a biographical overview as well as an introduction to his A New Technique. A comparison between Franz Simandl’s older and still widely-used Neueste Methode des Kontrabass-Spiels (New Method for the String Bass, 1874) and Rabbath’s A New Technique permits better understanding of the development and simplified nature of Rabbath’s approach. Discussion of each of Rabbath’s left-hand techniques helps clarify not only the correct way of executing these techniques, but also how to apply them in representative orchestral repertoire for the double bass. The objective overall in this critical commentary is to provide double bassists with more technical resources to incorporate into their playing and performance preparation, by means of a detailed examination of Rabbath’s left-hand techniques. 
Keyword Rabbath
Double bass
Technique

 
Citation counts: Google Scholar Search Google Scholar
Created: Mon, 16 Jun 2014, 09:11:11 EST by Ms Chloe Williamson on behalf of Scholarly Communication and Digitisation Service