La estetica del lugar en El Abuelo (Galdos/Garci) y la fortuna cinematografica de la novela realista-naturalista espanola

Martinez Exposito, Alfredo (2010). La estetica del lugar en El Abuelo (Galdos/Garci) y la fortuna cinematografica de la novela realista-naturalista espanola. In J.P. Spicer-Escalante and Lara Anderson (Ed.), Au Naturel: (Re)Reading Hispanic Naturalism (pp. 277-298) Newcastle, United Kingdom: Cambridge Scholars Publishing.

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Name Description MIMEType Size Downloads
Author Martinez Exposito, Alfredo
Title of chapter La estetica del lugar en El Abuelo (Galdos/Garci) y la fortuna cinematografica de la novela realista-naturalista espanola
Translated title of chapter The aesthetics of the place where Grandpa (Galdos / Garci) and cinematic fortunes of the Spanish realist-naturalist novel
Language of Chapter Title spa
Title of book Au Naturel: (Re)Reading Hispanic Naturalism
Place of Publication Newcastle, United Kingdom
Publisher Cambridge Scholars Publishing
Publication Year 2010
Sub-type Research book chapter (original research)
ISBN 9781443820677
1443820679
Editor J.P. Spicer-Escalante
Lara Anderson
Chapter number 16
Start page 277
End page 298
Total pages 22
Total chapters 18
Collection year 2011
Language spa
Abstract/Summary The aesthetics of the place where Grandpa While Grandpa Galdós novel (published in 1904) is in an unnamed location in September, Garci's 1998 film based on the novel is set in. Clearly the northern region of Asturias - famed for the dramatic beauty and diversity of ITS landscapes. It Seems, prima facie, as if Garci WAS closer to a Naturalist poetics than Galdós WAS when to composing this novel - more than twenty years after the publication of historical MOST Naturalist novel, The disinherited (1881). Garci's Naturalist disposition Becomes Obvious When considering even more other historical films Celebrated Start Over (1982), The Luminous Wound (1997), You're the One (2000) and Light from Sunday (2007) - all shot and September in Asturias. In These films, like in The grandfather, the natural surrounding milieu is connected to the characters Deliberately 'Personalities and Behaviour - very emphasising Often the ethical / aesthetic Contradictions Between a breath-taking idyllic landscape and a perfidious, degenerate character. In This paper, it is Suggested That Garci's cinematography can Naturalist Apparently usefully be Examined in terms of Both iconography and imagology. Iconographically, Garci's Asturias can be interpreted as realist depiction of the region and the Overwhelming Power of STIs poetic mountains, valleys and shores - a documentary-like value That Was taken by the Asturians Seriously MOST (arguably, Garci 's most enthusiastic audience). Imagologically, the Projected image of Asturias as a nature-conditioned society (Consistent with Other Realist / Naturalist images of the region, Including Clarín's La Regent and Pérez de Ayala's novels) raises problems of authenticity (stereotyping, simulacra) and branding ("Asturias, Natural paradise "is the region's tourist slogan).
Formatted Abstract/Summary

Q-Index Code B1
Q-Index Status Confirmed Code
Institutional Status UQ
Additional Notes Description: x, 336 p. ; 22 cm.

 
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Created: Tue, 08 Mar 2011, 10:17:59 EST by Meredith Downes on behalf of School of Languages and Comp Cultural Studies