Badjao: Cinematic Representations of Difference in the Philippines

Toohey, A. P. (2005) Badjao: Cinematic Representations of Difference in the Philippines. Journal of Southeast Asian Studies, 36 2: 281-313. doi:10.1017/S0022463405000172


Author Toohey, A. P.
Title Badjao: Cinematic Representations of Difference in the Philippines
Journal name Journal of Southeast Asian Studies   Check publisher's open access policy
ISSN 0022-4634
Publication date 2005-06
Sub-type Article (original research)
DOI 10.1017/S0022463405000172
Open Access Status
Volume 36
Issue 2
Start page 281
End page 313
Total pages 32
Place of publication Singapore
Publisher Cambridge University Press
Language eng
Subject 1699 Other Studies in Human Society
Abstract This article examines the cinematic representation of identity through an analysis of the well-known Philippine film, Badjao. Produced in the late 1950s, Badjao successfully commercialized the idea and expression of conflict between the Tausug and Badjao ethnic groups. The study focuses on how the enactment and enunciation of identity through difference presented itself in cinema and how such representations, imbued with stereotypical cultural and religious codes, were re-formulations within nationalist discourses in the Philippines.
Q-Index Code C1
Q-Index Status Confirmed Code

 
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