An exploration of the performer-composer dynamic

Morgan, Christy J. (2006). An exploration of the performer-composer dynamic MPhil Thesis, School of Music, The University of Queensland.

       
Attached Files (Some files may be inaccessible until you login with your UQ eSpace credentials)
Name Description MIMEType Size Downloads
n01front-Morgan-christy.pdf n01front-Morgan-christy.pdf application/pdf 111.51KB 1
n02content-Morgan-christy.pdf n02content-Morgan-christy.pdf application/pdf 821.34KB 3
Author Morgan, Christy J.
Thesis Title An exploration of the performer-composer dynamic
School, Centre or Institute School of Music
Institution The University of Queensland
Publication date 2006
Thesis type MPhil Thesis
Supervisor S. Perry
P. Pollett
Total pages 67
Collection year 2006
Language eng
Subjects L
410101 Music
750201 The performing arts (incl. music, theatre and dance)
Abstract/Summary The purpose of this critical commentary is to explore the concept of the composerperformer relationship. In order to do so, it will consider some famous composer-violinist partnerships, which have produced repertoire reflecting both musiciansÂ’ contribution - Johannes Brahms and Josef Joachim, Dmitri Shostakovich and David Oistrakh, and Alfred Schnittke and Gidon Kremer. In addition, the commentary also seeks to ground itself in my own experience, and document the process of commissioning and performing a solo work for violin. It explores the relationship between composer Joseph Twist and myself as a violinist, specifically relating to the work performed in my final recital in March 2005, and allows me to experience first hand the composer-performer dynamic and compare my experience with those I have researched.

 
Citation counts: Google Scholar Search Google Scholar
Access Statistics: 195 Abstract Views, 4 File Downloads  -  Detailed Statistics
Created: Fri, 21 Nov 2008, 14:32:22 EST