List of Subject Classifications Records

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 Browse by Socio-Economic Objective (1998) The SEO Classification allows R&D data to be classified according to the researcher's perceived purpose. The purpose categories take account of processes, products, health, education and other social and environmental aspects of particular interest. -> Division 3 - Society -> 750000 - Social Development and Community Services -> 750200 Arts and Leisure -> 750202 The creative arts :

No further child subject classifications could be found.
  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Nicoll, F. J. (2006). Aboriginal art - it's a white thing: Framing whiteness. In F. Foley (Ed.), The Art of Politics / The Politics of Art: The Place of Indigenous Contemporary Art (pp. 1-5) Queensland: Keeaira Press. 648  
Butler, R. W. (2004). Aboriginal art out of context. In K. Essl (Ed.), Spirit & Vision: Aboriginal Art (pp. 74-77) Germany: Edition Sammlung Essl. 214  
McIntosh, I. and Memmott, P. C. (2006) A brush with history. Cultural Survival Quarterly, 30 2: 36-39. 167  
Magee, P. (2003) A death in progress. Entertext, 2 3: 14-22. 43  
Burgh, Gilbert (2007). Aesthetic Encounters of the Human Kind (Foreword). In Marshall, Lyne (Ed.), Gleaner or Gladiator: the struggle to create 1 ed. (pp. 6-9) Tallegalla, Queensland: Art Clique Projects. 84  
Butler, R. W. and Broadfoot, K. (2002). A Fold in Time: Ann MacDonald and the Origin of Photography. In Koop, Stuart (Ed.), Value Added Goods (pp. 34-46) Melbourne: Centre for Contemporary Photography. 231  
Butler, R. W. (2004). Against pluralism. In C. Green (Ed.), 2004 (pp. 67-69) Melbourne: Council of Trustees of the National Gallery of Victoria. 85  
Butler, S. (2000) A guide to the Aboriginal art market. Australian Art Collector Magazine, 13 July-September: 66-75. 125  
Holt-Damant, K. H. P. (2005) Alex Selenitsch. Grove Art Online Encyclopedia, 1 1: 1-2. 71  
Butler, S. (1999) Alice Springs: A collectors guide. Australian Art Collector, 10: 104-108. 60  
Butler, R. W. (2007). Allegories of animation: Schindler's List, E.T. and The Lion King. In Cholodenko, A. (Ed.), The Illusion of Life II: More Essays on Animation (pp. 314-336) Sydney: Power Publications. 762 1
Thomas, M. K. (2001). A Minimal Adherence. In N/A (Ed.), Monochromes 1st ed. (pp. 63-73) St Lucia: University Art Museum. 37  
Thomas, M. K. (2000) An Abstraction of Feeling: Mark Rothko and the Subject of Aesthetic Judgement. Australian and New Zealand Journal of Art, 3 1: 97-115. 138  
Kelly, Veronica (2006) An Australian Idol of Modernist Consumerism: Minnie Tittell Brune and the Gallery Girls. Theatre Research International, 31 1: 17-36. doi:10.1017/S0307883305001859 451 8 1 Cited 2 times in Scopus2 0
Maynard, M. (1999) Ann Maxwell: Colonial photography and exhibitions. Journal of Australian Studies, 61: 202-203. 109  
Butler, Rex (2009) Apology (not) accepted. Broadsheet, 38 2: 134-135. 130  
Kelly, Veronica (2005) A portrait of the artist as an Australian: Bizarre work of Barry Humphries. University of Toronto Quarterly, 75 1: 400-402. 80   0
Butler, R. W. (2002) A return to Pollock. Art Monthly Australia, 156: 46-48. 355 3
Cochrane, Susan (2005). Art in Movement Across the Pacific. In Turner, Caroline (Ed.), Art and Social Change: Contemporary Art in Asia and the Pacific 1 ed. (pp. 446-459) Canberra ACT: Pandanus Books. 397 258
Noble, L. A. (2002) Artistic licence: Qld. College of Art. Architectural Review Australia, 80: 40-51. 36  
Poacher, J. J. (1998) A scholar's paradise: The legacy of Bernard Bereson. Review of A Legacy of Excellence by William Weaver. Convivio, 4 2: 179-181. 35  
Butler, R. W. A Secret History of Australian Art. Sydney: Craftsman House, 2002. 233  
Butler, Rex and Donaldson, A. D. S. (2007). A short history of unAustralian art. In Ian North (Ed.), Visual Animals: Crossovers, Evolution and New Aesthetics (pp. 107-122) Parkside, SA, Australia: Contemporary Art Centre of South Australia. 187 8
Thomas, M.K. (2002) Asia-Pacific Triennial of Contemporary Art 2002: We are not the World. Eyeline, 40 Summer: 32-33. 46  
Butler, M. A. (2005). A Suite of shorts/ diary of an emerging filmmaker MPhil Thesis, School of English, Media Studies and Art History, The University of Queensland. 75  
柯素翠 Cochrane, Susan (2007). 超越時光・跨越大洋. A travers les oceans et le temps. Across oceans and time. In 李俊賢 Jiunshyan Lee and 柯素翠 Susan Cochrane (Ed.), 超越時光・跨越大洋: Across oceans and time. Art in the contemporary Pacific: 南島當代藝術 (pp. 24-30) Kaohsiung,Taiwan: 高市美術館: Kaohsiung Museum of Fine Arts. 199 4
Butler, R. W. (2001). Augustus Earle's Blind Spot. In Green, Charles (Ed.), Postcolonial + Art (pp. 33-42) Woolloomooloo, NSW: Artspace Australia. 92  
Australasian Drama Studies (2005) Issue 46 62  
Butler, R. W. (2000). Australian art history and revisionism. In: Pre/dictions. The Role of Art at the End of the Millennium. The Role of Art at the End of the Millenium, Victoria University, Wellington, (177-186). 2-5 December, 1999. 78  
Butler, R. W. (1999) Australian art history and revisionism. Beyond the future: The third Asia-Pacific triennial of contemporary art, 1: 173-174. 109  
Tucker, S. D. (2005). Australian Women's Country Music and Music Culture Scholarship. In: Elizabeth Mackinlay, Denis Collins and Samantha Owens, Aesthetics and Experience in Music Performance. Performance and Experience, School of Music, UQ, (243-251). 3-5 October 2003. 108  
Moore, C. D. (2000) Avant-gardism for children. Eyeline, 42 Autumn/Winter: 42-42. 40  
Butler, R. W. (2004). Baudrillad's light writing or photographic thought. In Coulter, G. (Ed.), Cahiers de L'Herne balance correct L'Henrie Baudrillard (pp. 215-223) Paris: Editions de l'Herne. 83  
Butler, R. W. (1999) Before the law:Reading the Yuenduma doors with Eric Michaels. Eyeline, Summer 99 41: 28-35. 63  
Butler, Rex W. (2001). Before the Law: Reading the Yuendumu Doors with Eric Michaels. In de Vries, Hent and Weber, Samuel (Ed.), Religion and Media (pp. 514-527) Stanford, California: Stanford University Press. 240 80
Osborne, Roger (2007) Behind the book: Vance Palmer, short fiction and Australian magazine culture in the 1920s. Journal of the Association for the Study of Australian Literature, 6 49-64. 505 6
Butler, Rex (2008) Bill Henson: The letter returns. Broadsheet, 37 4: 277-279. 125 176
Butler, R. (2002) 'Bright Shadows': Art, Aboriginality and aura. South Atlantic Quarterly, 101 3: 501-518. doi:10.1215/00382876-101-3-501 388 1 1 Cited 1 times in Scopus1 0
Butler, R. W. (2004) Brisbane. Contemporary, 62 18-19. 39  
Butler, R. W. (2004) Brisbane: Queensland College of Art. Contemporary, 62 74-75. 136  
Ruinard, E. (2000) Britt Knudsen-Owen: In the field of the other and screen. Eyeline: Contemporary Visual Arts, 44: 52. 84  
Butler, Rex (2009) Candide in Brisvegas. Broadsheet, 38 1: 31-33. 95 27
Butler, Rex and Stephens, Scott (2007). Capital's second death: On opera and economics. In Fabio Vighi and Heiko Feldner (Ed.), Did somebody say ideology? On Slavoj Zizek and consequences (pp. 8-20) Newcastle, U. K.: Cambridge Scholars Publishing. 80  
Jackson, P. J. (2006) Christchurch to Cambridge: the art of Ted Bracey. UNO Waikato, 3: 82-87. 61  
Heckenberg, K. A. (2006) Conflicting visions: The art and life of William George Wilson (1849 - 1924), Anglo-Australian gentleman-painter. Queensland Review, 13 1: 1-21. 46  
Critical Interventions: Biennale of Sydney 2002. Edited by R. W. Butler and J. Milner Sydney: Artspace Visual Arts Centre Ltd, 2002. 37  
Butler, R. W. (1999) Dear Robert. Globe, 10: 1-10. 44  
Murphy, Ffion, 1950- (2003). Devotion and tracing the inconceivable figure : a novel and critical essay PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. 159 2
Smith, R. W. (2000). Dis(-)ease, epidemiological borders and panic at the 'fin-de-millenaire': Verbal and visual aesthetics in the age of AIDS. In: Pre/dictions. The Role of Art at the End of the Millenium. The Role of Art at the End of the Millenium, Victoria University, Wellington, (217-221). 2-5 December, 2000. 41  
Butler, R. W. (2000) Echo & Narcissus: Gordon Bennett and his critics. Postwest, 16 46-51. 266  

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