List of Subject Classifications Records

Browse Results (300 results found)

Subscribe to the RSS feed for this result setSubscribe to the RSS feed for this result set

Page 1 of 6

Result Pages:    1 2 3 4 5 6  next › last »

 Browse by Socio-Economic Objective (1998) The SEO Classification allows R&D data to be classified according to the researcher's perceived purpose. The purpose categories take account of processes, products, health, education and other social and environmental aspects of particular interest. -> Division 3 - Society -> 750000 - Social Development and Community Services -> 750200 Arts and Leisure -> 750201 The performing arts (incl. music, theatre and dance) :

No further child subject classifications could be found.
  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Lancaster, H. M. (2004) About the survey: Collecting and accounting for the data. Sounds Australian, 64 8-9. 162  
Collins, Denis B. and Bevin, Elway A briefe and short instruction of the art of musicke by Elway Bevin. Edited by Collins, Denis B. Aldershot, U.K.: Ashgate, 2007. 567 7
Vanderstaay, L. M. (2004). A case study of the influence of directorial gender on the representation of female sexuality in four contemporary Chinese films. In: R. Cribb, Asia Examined: Proceedings of the 15th Biennial Conference of the ASAA, 2004. Asia Examined, Canberra, (1-18). 29 June - 2 July 2004. 137  
Sills, David. (2005). A commentary on teaching fundamental cello technique, referring to the methods of Mei-Lee Stocker and Feulliard's 'Methode du Jeune Violoncelliste' and 'Technique de Violoncello' Volumes 1-3 MPhil Thesis, School of Music, The University of Queensland. 1182 9
Casey, M. (2005). A Compelling Force: Indigenous Women Playwrights. In Rachel Fensham and Denise Varney (Ed.), The Doll's Revolution: Australian Theatre and Cultural Imagination 1 ed. (pp. 199-237) Melbourne, Vic: Australian Scholarly. 153  
Kelly, Veronica (2005) A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements. New Theatre Quarterly, 21 1: 77-95. doi:10.1017/S0266464X04000351 492 6 8 Cited 5 times in Scopus5 0
Holland, Brett William. (2005). A critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe Verdi. MPhil Thesis, School of Music, The University of Queensland. 220 11
Clark, Karen R. (1998). A discussion of technical considerations, particular to the viola Honours Thesis, School of Music, The University of Queensland. 219  
Taylor, A. G. (2000) A Fashionable Production: Advertising and Consumer Culture on the Australian Stage. Journal of Australian Studies, 63 119-128. 164  
Hunter, M. A. and Rider, S. (2003) Affirming Community History: Sandy Gallop Dances with the Moon. Australian Drama Education Magazine, 8 33-37. 90  
Millward, Frank. and Balodis, Janis (2001). A folio of orchestral compositions using new technology PhD Thesis, School of Music, The University of Queensland. 131 18
Perry, Simon (2003) Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1. Musicology Australia, 26 1-37. 377 2
Gillies, M. G. (1999) A guide to research. Context: journal of music research, . 48  
Kelly, V (2000) Alfred Dampier as Performer of Late Colonial Australian Masculinities. Modern Drama, 43 3: 469-495. 75   0
Factora, M. B. (2005). A model of sequential music teaching utilising Philippine vocal materials PhD Thesis, School of Music, The University of Queensland. 192  
Fotheringham, R. A. (2001) Amphitheater staging: In-the-round or to the front (and what about asides)?. Comparative Drama, 35 2: 163-176. 185   0
Gillies, M. G. (2000). Analyzing Bartok's works of 1918-1922: Motives, tone patches, and tonal mosaics. In Elliott Antokoletz, Victoria Fischer and Benjamin Suchoff (Ed.), Bartok perspectives: Man, composer, and ethnomusicologist (pp. 43-60) New York: Oxford University Press. 157  
Morgan, Christy J. (2006). An exploration of the performer-composer dynamic MPhil Thesis, School of Music, The University of Queensland. 224 4
Fotheringham, R. A. (2002) An Ocker in Centre Stage. Sydney Morning Herald, 29-30 June 10-10. 52  
Fotheringham, Richard and Pensalfini, Rob (2007) Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s. Australasian Drama Studies, 50 50: 49-65. 2676 12 0
Freeman, P. A. (2004). Antonio Carlos Jobim: Eclecticism in popular music. In M. Ewans, R. Halton and John A. Phillips (Ed.), Music Research: New Directions for a New Century 1st ed. (pp. 264-276) Cambridge: Cambridge Scholars Press. 98  
Hunter, M. A. (2001) Anxious futures: Magpie2 and 'new generationalism' in Australian youth-specific theatre. Theatre Research International, 26 1: 71-81. doi:10.1017/S0307883301000074 107   1 1
Casey, M. (2005). Appendix 2: Production details. In Rachel Fensham and Denise Varney (Ed.), The Doll's Revolution: Australian Theatre and Cultural Imagination 1 ed. (pp. 399-403) Melbourne, Vic: Australian Scholarly. 42  
Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. In M. Ewans, R. Halton and J. Phillips (Ed.), Music Research: New Directions for a New Century 1 ed. (pp. 368-375) London: Cambridge Scholars Press. 89  
Schaafsma, Arne. (2002). Arranging piano music for the guitar: considerations in the Valses Poeticos by Enrico Grandados Master's Thesis, School of Music, The University of Queensland. 294  
Turpin, Myfany (2007) Artfully hiddden: Text and rhythm in a Central Australian Aboriginal song series. Musicology Australia, 29 1: 93-108. doi:10.1080/08145857.2007.10416590 371 7 0
Yu, Catherine Chin-Yen (2001). Aspects of nationalism in nineteenth-century Spanish piano music : a critical commentary on selected works by Granados, Falla and Albeniz Master's Thesis, School of Music, The University of Queensland. 341 4
Tobin, Shannon. (2002). Aspects of Ravel's piano trio Master's Thesis, School of Music, The University of Queensland. 190  
Berry, Anne Irma (2007). A study of motivation through repertoire in intermediate cello students PhD Thesis, School of Music, The University of Queensland. 675 3
Lynch, J. (2002). A study of the methods of composition and transcription developed in Bartok's First Rhapsody for violin and piano (1928) with regard to its recent transcription for viola and piano Master's Thesis, School of Music, The University of Queensland. 136  
Fotheringham, R. A. (2001) Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People. NJ (Drama australia Journal), 25 2: 65-78. 82  
Australasian Drama Studies (2003) Issue 41 38  
Australasian Drama Studies (2004) Issue 45 26  
Australasian Drama Studies (2006) Issue 48 61  
Australasian Drama Studies (2001) Issue 38 52  
Australasian Drama Studies (2005) Issue 47 48  
Australasian Drama Studies (2004) Issue 44 42  
Australasian Drama Studies (2003) Issue 43 48  
Australasian Drama Studies (2003) Issue 42 94  
Australasian drama studies (1999) Volume 34 Issue April 44  
Casey, Maryrose (2007). Australian drama, 1900-1970. In Nicholas Birns and Rebecca McNeer (Ed.), A companion to Australian literature since 1900 (pp. 207-218) Rochester, NY, U.S.A.: Camden House. 89  
Australian Plays for the Colonial Stage 1834-1899 1 ed. Edited by Fotheringham, R A St Lucia, Queensland: The University of Queensland Press, 2006. 77  
Perry, Simon (2004) A voice unknown: Undercurrents in Mussorgsky's 'Sunless'. Nineteenth Century Music, 28 1: 15-49. doi:10.1525/ncm.2004.28.1.15 554 2 0 Cited 0 times in Scopus0 0
Walsh, Fiona. (2002). Bartók's altered endings : contexts, case studies, and constructs PhD Thesis, School of Music, The University of Queensland. 110 1
Kelly, Veronica (2004) Beauty and the market: Actress postcards and their senders in early twentieth century Australia. New Theatre Quarterly, 20 2: 99-116. doi:10.1017/S0266464X4000016 476 1 8 Cited 5 times in Scopus5 0
Chen-Merrett, S. (2006). Beethoven and the violoncello: The influence of Jean-Louis Duport (1749-1819). MPhil Thesis, School of Music, The University of Queensland. 232  
Kelly, Veronica (2000) Bertolt Brecht and critical theory: Marxism, modernity and the 'Threepenny' lawsuit. Aumla-journal of The Australasian Universities Language And Literature Association, 93 93: 116-120. 585   0
Gilbert, H (2003) Black and white and re(a)d all over again: Indigenous minstrelsy in contemporary Canadian and Australian theatre. Theatre Journal, 55 4: 679-698. doi:10.1353/tj.2003.0164 52   5 Cited 8 times in Scopus8 0
Barney, Katelyn (2008). 'Black, urban, contemporary, strong and beautiful': Exploring how Indigenous Australian women performers are positioned in the popular media.. In Collinson, Ian (Ed.), Whose Popular Music? Industry, Performers, Fans: Selected Proceedings from the 2006 IASPM Australia and New Zealand Conference 1st ed. (pp. 65-76) Ryde, N.S.W.: Internat Assoc of the Study of Popular Music, ANZ Branch and Perfect Beat. 148  
Kelly, V. E. (2005) Book Review - Writing and rewriting: National theatre histories. Australasian Drama Studies, 47 169-173. 68  

Page 1 of 6

Result Pages:    1 2 3 4 5 6  next › last »