List of Subject Classifications Records

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 Browse by Research Fields, Courses and Disciplines The Research Fields, Courses and Disciplines (Australian Standard Research Classification) is published by the Australian Bureau of Statistics (ABS catalogue number 1297.0) 1998. ABS data is used with permission from the Australian Bureau of Statistics -> 410000 The Arts -> 419900 Other Arts -> 419901 Art History and Appreciation :

No further child subject classifications could be found.
  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Butler, R. W. and Broadfoot, K. (2002). A Fold in Time: Ann MacDonald and the Origin of Photography. In Koop, Stuart (Ed.), Value Added Goods (pp. 34-46) Melbourne: Centre for Contemporary Photography. 236  
Butler, R. W. (2007). Allegories of animation: Schindler's List, E.T. and The Lion King. In Cholodenko, A. (Ed.), The Illusion of Life II: More Essays on Animation (pp. 314-336) Sydney: Power Publications. 762 1
Thomas, M. K. (2001). A Minimal Adherence. In N/A (Ed.), Monochromes 1st ed. (pp. 63-73) St Lucia: University Art Museum. 38  
Thomas, M. K. (2000) An Abstraction of Feeling: Mark Rothko and the Subject of Aesthetic Judgement. Australian and New Zealand Journal of Art, 3 1: 97-115. 139  
Butler, Rex (2009) Apology (not) accepted. Broadsheet, 38 2: 134-135. 133  
Butler, R. W. (2002) A return to Pollock. Art Monthly Australia, 156: 46-48. 356 3
Cochrane, Susan Art and life in Melanesia. Newcastle, UK: Cambridge Scholars Press, 2007. 118 3
Cochrane, Susan (2005). Art in Movement Across the Pacific. In Turner, Caroline (Ed.), Art and Social Change: Contemporary Art in Asia and the Pacific 1 ed. (pp. 446-459) Canberra ACT: Pandanus Books. 397 271
Poacher, J. J. (1998) A scholar's paradise: The legacy of Bernard Bereson. Review of A Legacy of Excellence by William Weaver. Convivio, 4 2: 179-181. 36  
Butler, R. W. A Secret History of Australian Art. Sydney: Craftsman House, 2002. 239  
Ronay, Nadia (2004). A story of country : the politics of 'visibility' in western representations of indigenous art Honours Thesis, School of Social Science, The University of Queensland. 71 4
Butler, R. W. (2001). Augustus Earle's Blind Spot. In Green, Charles (Ed.), Postcolonial + Art (pp. 33-42) Woolloomooloo, NSW: Artspace Australia. 93  
Butler, Rex (2005) Baudrillard's light writing or photographic thought. International Journal of Baudrillard Studies, 2 1: 1-21. 92   Cited 0 times in Scopus0
Cochrane, Susan Beretara: Contemporary Pacific Art 1 ed. Sydney; Noumea: Halstead Press/Centre Culturel Tjibaou, 2001. 167  
Butler, Rex (2008) Bill Henson: The letter returns. Broadsheet, 37 4: 277-279. 127 190
Butler, R. (2002) 'Bright Shadows': Art, Aboriginality and aura. South Atlantic Quarterly, 101 3: 501-518. doi:10.1215/00382876-101-3-501 389 1 1 Cited 1 times in Scopus1 0
Heckenberg, K. A. (2006) '...bringing facts into some connexion with each other...': Ludwig Becker's Narrative Strategies in his Burke and Wills Illustrations. The La Trobe Journal, 77 Autumn: 68-88. 57 2
Butler, R. W. (2004) Brisbane. Contemporary, 62 18-19. 40  
Butler, R. W. (2004) Brisbane: Queensland College of Art. Contemporary, 62 74-75. 137  
Butler, Rex (2009) Candide in Brisvegas. Broadsheet, 38 1: 31-33. 96 30
Jackson, P. J. (2006) Christchurch to Cambridge: the art of Ted Bracey. UNO Waikato, 3: 82-87. 62  
Maynard, M. (2000) Clothes encounters. The Bulletin, 118 126-127. 73  
Ahrens, P. M. (2005) Colonising with Christianity? The case of George Brown, missionary photographer. Third Text, 19 3: 259-267. doi:10.1080/09528820500049478 84 3 Cited 2 times in Scopus2 0
Heckenberg, K. A. (2006) Conflicting visions: The art and life of William George Wilson (1849 - 1924), Anglo-Australian gentleman-painter. Queensland Review, 13 1: 1-21. 47  
Critical Interventions: Biennale of Sydney 2002. Edited by R. W. Butler and J. Milner Sydney: Artspace Visual Arts Centre Ltd, 2002. 38  
Nicoll, Fiona (2006) Emily Floyd/Julia Gorman: The New Silhouette Richard Bell: Positivity (Review). Machine: Visual Arts Bi-Monthly, 2 2: 14-15. 273  
Butler, Rex W. (2003). Emily Kame Kngwarreye and the undeconstructible space of justice. In Gaiger, Jason and Wood, Paul (Ed.), Art of the 20th Century: A Reader (pp. 304-319) New Haven, USA: Yale University Press. 566 136
Butler, R. W. (2001). Equivalence: From Kosuth's Chair to Freud's Couch. In Tip of the Iceberg: Selected Works 1985-2001 (pp. 59-66) St Lucia: University Art Museum. 114  
Gomes, M. (2001) Fader: Evacuating the Time Space. Eyeline Contemporary Visual Arts, 46 Spring: 40-41. 23  
Ahrens, Prue (2005) From darkness to light: The story of conversion in the Reverend George Brown's photographs. Continuum: Journal of Media & Cultural Studies, 19 2: 279-284. doi:10.1080/10304310500084608 380 5 0
Jackson, P. J. (2006) Hairy Maclary's mother: The art of Lynley Dodd. UNO Pay of Plenty, 6: 89-92. 63  
Jackson, P. J. (2006) Hamilton's post modernist darling: Lisa Benson. UNO Waikato, 6: 66-70. 29  
Butler, R. W. (2002). Hello. In Rex Butler and Jacqueline Millner (Ed.), Critical Interventions (pp. 6-11) Sydney: Artspace. 31  
Butler, R. W. and Thomas, M.K. (2003) "I Am Not Sorry": Richard Bell out of context. Australian and New Zealand Journal of Art, 4 1: 29-41. 535 5
Holbrook, Peter (2006). Ian Fairweather: Vision and abandonment. In S. Alderton (Ed.), Ian Fairweather: An Artist of the 21st Century (pp. 5-10) NSW: Lismore Regional Gallery. 169  
Butler, R. W. (2005). Interview with Bernard Smith. In Butler, R. (Ed.), Radical Revisionism: An Anthology of Writings on Australian Art (pp. 73-80) Brisbane: IMA Publishing. 66  
Butler, R. W. (2005). Interview with Djon Mundine. In Butler, R. (Ed.), Radical Revisionism: An Anthology of Writings on Australian Art (pp. 88-93) Brisbane: IMA Publishing. 251  
Cochrane, S. (2001). Introduction. In Cochrane, S. (Ed.), Aboriginal Art Collections: Highlights from Australia's Public Museums and Galleries 1 ed. (pp. 8-11) Sydney; St Leonards, N.S.W.: Fine Art Publishing; Craftsman House. 24 18
Butler, Rex (2005). Introduction. In Rex Butler (Ed.), Radical Revisionism: An Anthology of Writings on Australian Art (pp. 7-36) Brisbane, Australia: IMA Publishing. 57 6
Ahrens, Prue (2005) 'I' of the spectator: Jill Barker's anthropomorphic photography. Eyeline, 57: 47-47. 93  
Butler, R. W. (2006). Janet Burchill & Jennifer McCamley. In L. Michael (Ed.), 21st Century Modern: 2006 Adelaide Biennial of Australian Art (pp. 22-23) Adelaide: Art Gallery of South Australia. 149  
Butler, R. W. (2003). Jean Baudrillard. In Elliott, A. and Ray. L. (Ed.), Key Contemporary Social Theorists (pp. 32-37) Oxford, UK: Blackwell Publishing. 45  
Butler, R. W. (2003). Jean Baudrillard: Photographing Ethics. In V Grace, H Worth and L Simmons (Ed.), Baudrillard West of the Dateline (pp. 245-258) Palmerston North, New Zealand: Dunmore Press. 375 9
Kelly, Veronica (2003) Julius Knight, Australian Matinee Idol: Costume Drama as Historical Re-presentation. Australasian Victorian Studies Journal, 9 128-144. 610 1774
Thomas, M. K. (2001) Local Exposure. Photofive, 63: 56-56. 28  
Duggan, L. J. (2003) Manmade Modernism: Mythical Space in Australian Painting. Antipodes, 17, No 1 December 2003: 158-163. 43  
Ahrens, P. M. and Hoffie, P. (2005) Mark Adams and the politics of pe'a. Eyeline, 57 38-40. 52  
Heckenberg, K A (2006) Masters and Moderns: Tradition, Modernity and the Role of Two Australian Artisits' Self-Portraits from the Interwar Period. Crossings, 10.3/11.1: 1-12. 37  
Jackson, P. J. (2006) Michael Smither: the contemplative years. UNO Waikato, 4: 78-83. 27  
Ahrens, P. M. (2007). Missionary positions: George Brown's bodies. In S. Cochrane and M. Quanchi (Ed.), Hunting the collectors: Pacific collections in Australian Museums, Art Galleries and Archives (pp. 131-149) Newcastle, UK: Cambridge Scholars Publishing. 84 4

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