List of Subject Classifications Records

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 Browse by Research Fields, Courses and Disciplines The Research Fields, Courses and Disciplines (Australian Standard Research Classification) is published by the Australian Bureau of Statistics (ABS catalogue number 1297.0) 1998. ABS data is used with permission from the Australian Bureau of Statistics -> 410000 The Arts -> 410300 Cinema, Electronic Arts and Multimedia -> 410302 Cinema Studies :

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  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Vanderstaay, L. M. (2004). A case study of the influence of directorial gender on the representation of female sexuality in four contemporary Chinese films. In: R. Cribb, Asia Examined: Proceedings of the 15th Biennial Conference of the ASAA, 2004. Asia Examined, Canberra, (1-18). 29 June - 2 July 2004. 140  
McKee, Alan (1999) Accentuate the 'Negative': Reality and Race in Australian Film Reviewing. Australian Studies in Journalism, 8: 139-157. 885 3286
Martinez Exposito, A. (2004) Construccin visual de la homosexualidad en el cine espaol de los aos noventa. Antipodas: Journal of Hispanic and Galician Studies, 15 113-125. 75  
Lewis, Shane. (2003). Costume in "New Hollywood" movies PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. 373 3
Turner, G. (2002). Editor's introduction. In G. Turner (Ed.), The Film Cultures Reader (pp. 1-10) London: Routledge. 32  
Martínez Expósito, A. (2007) Elitism and populism in Spanish auteur cinema of the nineties. Estudios Hispánicos, 45 261-278. 245  
Hardwick, Joe (2007) Fallen angels and flawed saviours: marginality and exclusion in La Vie de Jésus and La Vie rêvée des anges. Studies in French Cinema, 7 3: 219-230. doi:10.1386/sfc.7.3.219_1 133 4 0
Corkhill, Alan (2007). From novel to film to remake: Jurek Becker’s Jakob der Lügner. In J. Preece, F. Finlay and R.J. Owen (Ed.), New German Literature: Life-Writing and Dialogue with the Arts (pp. 93-106) Oxford, United Kingdom: Peter Lang. 180 2
Bode, L. (2007). 'Grave robbing' or 'career comeback'? On the digital resurrection of dead screen stars. In Kallioniemi, K., Karki, K., Makela, J. and Salmi, H. (Ed.), History of Stardom Reconsidered (pp. 36-40) Online - HPC ( Turku: International Institute for Popular Culture. 87  
Poacher, Jeffrey (1999) I Q Hunter editor: British Science Fiction Cinema. Times Literary Supplement, 5047 5048: 28-29. 30   0
Hainge, Greg (2007) Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 2: 153-171. 251 1719 1 Cited 1 times in Scopus1
Fouz-Hernández, Santiago and Martínez-Expósito, Alfredo Live flesh: The male body in contemporary Spanish cinema. London, UK: I. B. Tauris, 2007. 92 19
Mabbott Athique, Adrian and Hill, Douglas (2007) Multiplex cinemas and urban redevelopment in India. Media International Australia, 124 ( Mapping Media ) 108-118. 275 650
Stadler, Jane (2013) New Philosophies of Film: Thinking Images. Robert Sinnerbrink. British Journal of Aesthetics, 53 1: 131-133. doi:10.1093/aesthj/ays025 107 1 0 0
Martinez Exposito, A. (2006) Organizacin semiolgica del espacio y del tiempo en el cine. Alpha: Revista de Artes, Letras y Filosofia, 23 181-200. doi:10.4067/S0718-22012006000200011 51   0
Dixon, R. W. (2003) Pictures of an Exhibition: Frank Hurley's in the Grip of the Polar Pack Ice. Journal of Australian Studies, 78 123-137. 147  
Arroyo-Furphy, Susana (2007) Quisiera hablar de la pelicula Babel de Alejandro Gonzalez Inarritu. Razon y Palabra, 12 55: . 167  
Martinez Exposito, A. (2004) Review of Stars and Masculinities in Spanish Cinema: From Banderas to Bardem (2003) by Chris Perriam. Studies in Hispanic Cinemas, 1 1: 69-71. 55  
Bonner, F J (2006) Shirin Neshat Debriefed. Contemporary Visual Arts+Culture, 35 3: 178-179. 56  
Starr, Paul A. (1999) Special effects and the invasive camera: Enemy of the state and the conversation. M/C: A journal of media & culture, 2 2: . 33  
Pierson, M. R. Special Effects: Still in Search of Wonder. New York: Columbia University Press, 2002. 65  
Crofts, S. (2003) Teaching Australian cinema in New Zealand. Crossings, 8 1: 1-3. 47  
The Film Cultures Reader. Edited by G. Turner London: Routledge, 2002. 131  
Goldsmith, Ben and O'Regan, Thomas The film studio: Film production in the global economy. New York, U.S.: Rowman & Littlefield Publishers, 2005. 499 26
Mejia, G. G. (2006). The Representation of Women in Revolutionary Cuban Cinema PhD Thesis, School of Languages and Comparative Cultural Studies, The University of Queensland. 203  
Vanderstaay, L. (2006). They're not hidden dragons: Women in the Chinese film industry, 1925-1978. In N. Ramière and R. Varshney (Ed.), Rhizomes: Connecting Languages, Cultures and Literatures (pp. 52-64) Newcastle, U.K.: Cambridge Scholars Publishing. 64  
Martinez-Exposito, Alfredo (2004). Visibility and performance in the anti-gay sexy Spanish comedy: No desears al vecino del quinto (1970). In Stewart King and Jeff Browitt (Ed.), The space of culture: Critical readings in Hispanic studies (pp. 12-28) Newark, U.S.A.: University of Delaware Press. 388 4
Bainbridge, Jason G. (2005). Visual law: An exegesis of vernacular jurisprudence in popular media PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. 255 2
Hainge, Greg (2004). Weird or Loopy? Specular Spaces, Feedback and Artifice in Lost Highway’s Aesthetics of Sensation. In Annette Davison and Erica Sheen (Ed.), The Cinema of David Lynch: American Dreams, Nightmare Visions (pp. 136-150) London: Wallflower Press. 146 8
Mejia, G. G. and Martinez Exposito, A. (2005) Women's representastion in two epochs of the revolutionary Cuban cinema. Revista Brasileira do Caribe, 6 11: 33-56. 52