List of Subject Classifications Records

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 Browse by Research Fields, Courses and Disciplines The Research Fields, Courses and Disciplines (Australian Standard Research Classification) is published by the Australian Bureau of Statistics (ABS catalogue number 1297.0) 1998. ABS data is used with permission from the Australian Bureau of Statistics -> 410000 The Arts -> 410100 Performing Arts -> 410101 Music :

No further child subject classifications could be found.
  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Lancaster, H. M. (2004) About the survey: Collecting and accounting for the data. Sounds Australian, 64 8-9. 159  
Collins, Denis B. and Bevin, Elway A briefe and short instruction of the art of musicke by Elway Bevin. Edited by Collins, Denis B. Aldershot, U.K.: Ashgate, 2007. 563 7
Sills, David. (2005). A commentary on teaching fundamental cello technique, referring to the methods of Mei-Lee Stocker and Feulliard's 'Methode du Jeune Violoncelliste' and 'Technique de Violoncello' Volumes 1-3 MPhil Thesis, School of Music, The University of Queensland. 1166 8
Holland, Brett William. (2005). A critical commentary exploring the potential inclusion of operatic arias in the traditional song recital. : references to Johannes Brahms Vier Ernste Gesänge OP. 121, Fünf Lieder Opus 105 and bass arias from Macbeth and Simon Boccanegra by Giuseppe Verdi. MPhil Thesis, School of Music, The University of Queensland. 218 9
Clark, Karen R. (1998). A discussion of technical considerations, particular to the viola Honours Thesis, School of Music, The University of Queensland. 213  
Aesthetics and Experience in Music Performance. Edited by Mackinlay, E., Collins, D. B. and Owens, S. K. Amersham: Cambridge Scholars Press, 2005. 104  
Millward, Frank. and Balodis, Janis (2001). A folio of orchestral compositions using new technology PhD Thesis, School of Music, The University of Queensland. 124 18
Perry, Simon (2003) Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1. Musicology Australia, 26 1-37. 369 2
Gillies, M. G. (1999) A guide to research. Context: journal of music research, . 47  
Factora, M. B. (2005). A model of sequential music teaching utilising Philippine vocal materials PhD Thesis, School of Music, The University of Queensland. 184  
Gillies, M. G. (2000). Analyzing Bartok's works of 1918-1922: Motives, tone patches, and tonal mosaics. In Elliott Antokoletz, Victoria Fischer and Benjamin Suchoff (Ed.), Bartok perspectives: Man, composer, and ethnomusicologist (pp. 43-60) New York: Oxford University Press. 155  
Davidson, Robert, Parks, Van Dyke and Friedman, Kinky (2011) An exploration of cross-genre music making: Robert Davidson and Van Dyke Parks: Australian Tour 2011. Australia, Mobile Industries and Troy Horse. 14  
Morgan, Christy J. (2006). An exploration of the performer-composer dynamic MPhil Thesis, School of Music, The University of Queensland. 221 4
Ledger, Alison J. and Baker, Felicity A. (2007) An investigation of long-term effects of group music therapy on agitation levels of people with Alzheimer's Disease. Aging and Mental Health, 11 3: 330-338. doi:10.1080/13607860600963406 346   23 Cited 30 times in Scopus30 1
Freeman, P. A. (2004). Antonio Carlos Jobim: Eclecticism in popular music. In M. Ewans, R. Halton and John A. Phillips (Ed.), Music Research: New Directions for a New Century 1st ed. (pp. 264-276) Cambridge: Cambridge Scholars Press. 97  
Collins, Denis and Schloss, W. Andrew (2001) An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering. Music Perception, 19 2: 141-154. 1220 660
Edwards, J. (1999). Anxiety management in pediatric music therapy. In Cheryl Dileo (Ed.), Music therapy and medicine: Theoretical and clinical applications (pp. 69-76) Silver Spring, MD, USA: American Music Therapy Association. 117  
Kelly, Veronica (2005) A portrait of the artist as an Australian: Bizarre work of Barry Humphries. University of Toronto Quarterly, 75 1: 400-402. 81   0
Kim, J. Approaches to Case-Study. A handbook for those entering the therapeutic field (Korean Translation of ‘Approaches to Case Study’ by Robin Higgins). Seoul: Hakjisa publishers, 2003. 130  
Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. In M. Ewans, R. Halton and J. Phillips (Ed.), Music Research: New Directions for a New Century 1 ed. (pp. 368-375) London: Cambridge Scholars Press. 86  
Topology, Davidson, Robert, Babbage, John, Powell, Christa, Hoey, Bernard and Milanovic, Therese (2013) Argus. New Farm, QLD, Australia, Brisbane Powerhouse. 18  
Schaafsma, Arne. (2002). Arranging piano music for the guitar: considerations in the Valses Poeticos by Enrico Grandados Master's Thesis, School of Music, The University of Queensland. 282  
Davidson, Robert and van Gogh, Vincent (2012) A series of small things: for Gondwana voices. Sydney, Australia, Australian Music Centre. 12 2
Slaughter, Peta Sheridan (1976). Aspects of Margaret Sutherland's vocal style Honours Thesis, School of Music, The University of Queensland. 45  
Yu, Catherine Chin-Yen (2001). Aspects of nationalism in nineteenth-century Spanish piano music : a critical commentary on selected works by Granados, Falla and Albeniz Master's Thesis, School of Music, The University of Queensland. 331 4
Tobin, Shannon. (2002). Aspects of Ravel's piano trio Master's Thesis, School of Music, The University of Queensland. 180  
Berry, Anne Irma (2007). A study of motivation through repertoire in intermediate cello students PhD Thesis, School of Music, The University of Queensland. 665 3
Lynch, J. (2002). A study of the methods of composition and transcription developed in Bartok's First Rhapsody for violin and piano (1928) with regard to its recent transcription for viola and piano Master's Thesis, School of Music, The University of Queensland. 130  
O'Mara, M. V. and Abbott, G. (1999). Audio on the Web: Applications in Academic Music Libraries. In: G. Binns, Continuo. International Association of Music Libraries Conference, Wellington, NZ, (1-11). 18-23 July 1999. 63  
King, Aleta (2007). Australians at the Kodály Institute: Reflections on the journey Master's Thesis, School of Music, The University of Queensland. 339 163
Tucker, S. D. (2005). Australian Women's Country Music and Music Culture Scholarship. In: Elizabeth Mackinlay, Denis Collins and Samantha Owens, Aesthetics and Experience in Music Performance. Performance and Experience, School of Music, UQ, (243-251). 3-5 October 2003. 108  
Cuskelly, James (2001) A vision for music education. Bulletin of the Kodály Music Education Institute of Australia Incorporated, 36-39. 100  
Perry, Simon (2004) A voice unknown: Undercurrents in Mussorgsky's 'Sunless'. Nineteenth Century Music, 28 1: 15-49. doi:10.1525/ncm.2004.28.1.15 548 2 0 Cited 0 times in Scopus0 0
Collins, Denis (2002) Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century. BACH: The Journal of the Riemenschneider Bach Institute, 33 2: 15-34. 716 183 0 Cited 0 times in Scopus0
Walsh, Fiona. (2002). Bartók's altered endings : contexts, case studies, and constructs PhD Thesis, School of Music, The University of Queensland. 107 1
Chen-Merrett, S. (2006). Beethoven and the violoncello: The influence of Jean-Louis Duport (1749-1819). MPhil Thesis, School of Music, The University of Queensland. 217  
Davidson, Robert (2012) Beyond Bollywood. Courier Mail Piazza, South Bank, QLD, Australia, Griffith University. 13  
Choi, Minjoon, Choi, Serene Hyun-Jin and Nieminen, Timo A. (2004). Case studies of music students with autistic spectrum disorders. In: Proceedings of: 2004 Hawaii International Conference on Education. 2004 Hawaii International Conference on Education, Honolulu, Hawaii, (748-756). 3-6 January 2004. 925 1401
Owens, Samantha (2005) Censorship of the goût moderne in 1730s Ludwigsburg and the music of Giuseppe Antonio Brescianello. Eighteenth Century Music, 2 2: 299-310. doi:10.1017/S1478570605000394 106 4 0
Edwards, J. and Kennelly, J. D. Clinician's Manual: Music Therapy for Children in Hospital. Brisbane: Univ. of Qld Printery, 1999. 90  
Hainge, Greg (2004) Come on Feel the Noise: Technology and its Dysfunctions in the Music of Sensation. To The Quick, 5: 42-58. 141  
Ralph, B. J. (2005). Comparative aesthetic thought in early eighteenth century England. In E. Mackinlay, D. Collins and S. Owens (Ed.), Aesthetics and Experience in Music Performance (pp. 39-47) UK: Cambridge Scholars Press. 43  
Edwards, Jane (1999) Considering the pardigmatic frame: social science research approaches relevant to research in music therapy. The Arts in Psychotherapy, 26 2: 73-80. doi:10.1016/S0197-4556(98)00049-5 56   11 0
Lim, Liza (2001). Critical commentary [kit] : accompanying a PhD folio of compositions PhD Thesis, School of Music, The University of Queensland. 112  
Kim, J. (2006) Dealing with dropouts and attritions in research. Nordic Journal of Music Therapy, . 88  
Carfoot, Gavin Steven (2005). Deleuze and music: a creative approach to the study of music Master's Thesis, School of Music, The University of Queensland. 489 109
Davidson, Robert, Lee, Annie and Johnston, Christine (2012) De Ontmoeting (The Encounter). Amsterdam , Netherlands, Impact Internationaal. 10  
Kransky Sisters, Johnston, Christine, Lee, Annie, Johns, Carolyn, Topology, Davidson, Robert, Babbage, John, Hoey, Bernard, Powell, Christa and Milanovic, Therese (2012) De Ontmoeting: Topology and the Kransky Sisters. Amsterdam, Netherlands, Ruud de Graaf. 15 3
Bahr, Nanette, Christensen, Carol and Bahr, Mark (2005) Diversity of accuracy profiles for absolute pitch recognition. Psychology of Music, 33 1: 58-93. doi:10.1177/0305735605048014 87   Cited 4 times in Scopus4 0
Cuskelly, James (2003) Does Musicology have something to offer music education? Reflections from the classroom. Queensland Journal of Music Education, 10 1: 16-22. 70  

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