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Goldsmith, Ben (2006) A bureaucratic cinema: The fraught relationship between government and film.. Metro, 150: 170-171. 248  
Goldsmith, B., Thomas, J., O'Regan, T. and Cunningham, S. (2002). Asserting Cultural and Social Regulatory Principles in Converging Media Systems. In Marc Raboy (Ed.), Global Media Policy in the New Millennium (pp. 93-109) Luton, UK: University of Luton Press. 65  
Goldsmith, Ben (2009) Australia, In the Vernacular. Metro Magazine: Media & Education Magazine, 161 188-191. 29  
O'Regan, Tom and Goldsmith, Ben (2013). Beyond the modular film school: Australian film and television schools and their digital transitions. In Mette Hjort (Ed.), The Education of the Filmmaker in Europe, Australia and Asia (pp. 149-170) New York, NY, USA: Palgrave Macmillan. doi:10.1057/9781137070388 68 8 0
Goldsmith, Ben and O'Regan, Tom (2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex Sydney: Australian Film Commission 57  
Goldsmith, Ben, Ward, Susan and O'Regan, Tom (2014) Dino De Laurentiis and Australia: creating a film industry on the Gold Coast. Studies in Australasian Cinema, 8 1: 70-75. doi:10.1080/17503175.2014.939430 37 2 Cited 0 times in Scopus0 0
Goldsmith, Benedict M. (2006). Diversidade cultural: Política, caminhos, dispositivos. In Leonardo Brant (Ed.), Diversidade cultural: Globalização e culturas locais: dimensões, efeitos e perspectivas (pp. x-x) Sao Paulo, Brazil: Escrituras and Instituto Pensarte. 122  
O'Regan, T. and Goldsmith, B (2002). Emerging Global Ecologies of Production. In Dan Harries (Ed.), The New Media Book (pp. 92-105) London: British Film Institute. 351 1
Ward, Sue, O'Regan, Tom and Goldsmith, Ben (2010) From Neighbours to packed to The Rafters: Accounting for longevity in the evolution of Aussie soaps. Media International Australia Incorporating Culture and Policy, 136: 162-176. 203   1 Cited 2 times in Scopus2
Goldsmith, Benedict M. (2003). Government Leeway in the Context of Global Markets and Free Trade Agreements. In M. Raboy (Ed.), L'Avenir de la Réglementation de la Radiodiffusion (pp. 71-92) Sainte-Foy, Quebec: Centre d'Etudes sur les Medias. 47  
Goldsmith, Ben (2010). If you build it… film studios and the transformative effects of migrating media production. In Greg Elmer, Charles H Davis, Janine Marchessault and John McCullough (Ed.), Locating Migrating Media (pp. 103-130) Lanham, MD, USA: Lexington Books. 78 4
Goldsmith, Ben and O'Regan, Tom (2008). International film production: Interests and motivations. In Janet Wasko and Mary Erickson (Ed.), Cross-Border Cultural Production: Economic Runaway or Globalization? (pp. 13-44) Amherst, New York: Cambria Press. 166 382
Goldsmith, Ben (2005) Interrogating identity: Tom White. Senses of Cinema, 34: . 46  
Goldsmith, Ben (2010). Introduction: Australian cinema. In Ben Goldsmith and Geoff Lealand (Ed.), Directory of world cinema: Australia and New Zealand (pp. 9-21) Bristol, United Kingdom: Intellect Books. 39  
Goldsmith, Ben and Spurgeon, Christina (2004) Introduction: Culture, trade, services. Media International Australia, Incorporating Culture & Policy, 111: 5-7. 41  
O'Regan, Tom, Goldsmith, Ben and Ward, Susan Local Hollywood Global Film Production and the Gold Coast. St Lucia, Qld., Australia: University of Queensland Press, 2010. 162 6
Goldsmith, Ben and O'Regan, Tom (2004) Locomotives and stargates: Inner-city studio complexes in Sydney, Melbourne and Toronto. International Journal of Cultural Policy, 10 1: 29-45. doi:10.1080/1028663042000212319 81 3 0
Goldsmith, Ben (2009). Made in Australia/New Zealand/South Korea...the new landscape of international film production. In: Duk-Soo Park, Proceedings of the sixth biennial Korean Studies Association of Australasia (KSAA) conference. Global Korea: Old and New, University of Sydney, Australia, (76-82). 9-10 July 2009. 85  
Goldsmith, Ben (2009). 'Outside the box: Television 2018' project background, research questions, and critical uncertainties. In: Record of the Communications Policy & Research Forum 2009. Communications Policy & Research Forum 2009, University of Technology, Sydney, (176-178). 19 - 20 November 2009. 38  
Goldsmith, Ben (2010) Outward-looking Australian cinema. Studies in Australasian Cinema, 4 3: 199-214. doi:10.1386/sac.4.3.199_1 171   Cited 6 times in Scopus6 0
Balnaves, Mark, O'Regan, Thomas and Goldsmith, Ben Rating the audience: the business of media. London, United Kingdom: Bloomsbury Academic, 2011. doi:10.5040/9781849664622 87 11 0
Goldsmith, Ben and Yecies, Brian (2009). Sejong Park's Birthday Boy and Korean-Australian encounters. In Catherine Simpson, Renata Murawska and Anthony Lambert (Ed.), Diasporas of Australian cinema (pp. 159-168) Bristol, UK: Intellect. 139  
Goldsmith, Ben (2009). Settings, subjects and stories: Creating Australian cinema. In Amit Sarwal and Reema Sarwal (Ed.), Creative nation: Australian cinema and cultural studies reader (pp. 13-26) New Delhi, India: SSS Publications. 72  
O'Regan, T. and Goldsmith, B. (2004). Still the center: Cultural geographies of US film production. In: Tiziana Ferrero-Regis and Albert Moran and Alberto Moran, Placing the Moving Image. Placing the Moving Image, Brisbane, Australia, (173-204). 29 April 2004. 80  
O'Regan, Tom, Ward, Susan and Goldsmith, Ben (2011). Sydney's media cluster: Continuity and change in film and television. In Charlie Karlsson and Robert G. Picard (Ed.), Media clusters spatial agglomeration and content capabilities (pp. 199-222) Cheltenham, United Kingdom: Edward Elgar Publishing. 147 13
Goldsmith, Ben and O'Regan, Thomas The film studio: Film production in the global economy. New York, U.S.: Rowman & Littlefield Publishers, 2005. 499 26
Goldsmith, Ben (2008). The monster and the birthday boy: At the interface of Korean-Australian film. In: Proceedings of the 4th World Congress of Korean Studies. Korean Studies Interfacing with the World, Kyushu University, Fukuoka, Japan, (1685-1697). 22 - 24 September, 2008. 43  
Goldsmith, B. (2004). The pianist and the ruins of Berlin. In Tizania Ferro-Regis and Albert Moran (Ed.), Placing the moving image (pp. 159-171) Nathan, Australia: Griffith University. 40  
Goldsmith, B. and O'Regan, T. (2005). The policy environment of the contemporary film studio. In M. Gasher and G. Elmer (Ed.), Contracting out Hollywood: runaway productions and foreign location shootings (pp. 41-66) Lanham, MD: Rowman & Littlefield Pub. 56