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Fotheringham, Richard, Forgasz, Rachel, Ginters, Laura, Hunter, Mary Ann, Warrington, Lisa and Milne, Geoffrey (2012) ADS at thirty: three decades of Australasian drama, theatre, performance and scholarly research. Australasian Drama Studies, 60 60: 6-19. 54 7 Cited 0 times in Scopus0
Pearn, Nigel and Fotheringham, Richard A history of the Avalon Theatre, 1921-2007. St Lucia: The University of Queensland, 2007. 805 1395
Fotheringham, R. A. (2001) Amphitheater staging: In-the-round or to the front (and what about asides)?. Comparative Drama, 35 2: 163-176. 185   0
Fotheringham, R. A. (2002) An Ocker in Centre Stage. Sydney Morning Herald, 29-30 June 10-10. 52  
Fotheringham, Richard and Pensalfini, Rob (2007) Anti-colonial Voices? Non-British Accents and the National Authentication of Shakespeare in Australia in the 1970s. Australasian Drama Studies, 50 50: 49-65. 2679 12 0
Fotheringham, R. A. (2001) Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People. NJ (Drama australia Journal), 25 2: 65-78. 82  
Fotheringham, Richard (2013). "Australia's One Successful Folk Drama": an introduction to 'On Our Selection'. In On Our Selection (pp. 5-12) Brisbane, QLD, Australia: Playlab Press. 37 1
Fotheringham, Richard (2010). Bert Bailey's Copy of On Our Selection. In Follett, Roslyn (Ed.), Found in Fryer : Stories from the Fryer Library Collection (pp. 68-69) St Lucia: University of Queensland Library. 80  
Fotheringham, R. A. (2001) Colonial Australia, 1798-1901 in Jones, D. (eds.) Censorship: A World Encyclopaedia. London: Fitzroy Dearborn 129  
Fotheringham, R. A. (2000) Defiance: Political Theatre in Brisbane, 1930-1962. NJ (Drama Australia Journal), 24 1: 125-127. 73  
Atkinson, Roslyn and Fotheringham, Richard (1987) Dramatic Copyright in Australia to 1912. Australasian Drama Studies, 11 47-63. 932 1142
Fotheringham, R. A. (2003) Exiled to the colonies: 'Oscar Wilde' in Australia 1895-1897. Nineteenth Century Theatre & Film, 30 2: 55-68. 162  
Fotheringham, Richard (2014). “Gallipoli Bill”: a comedy of the Great War. In Arthur Adams (Ed.), Gallipoli Bill (pp. 5-10) Brisbane, Qld Australia: Playlab. 18  
Fotheringham, R. A. (2006). General Introduction. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 (pp. XXI-LXXXVI) St Lucia, Queensland: The University of Queensland Press. 343 14
Fotheringham, Richard, 1947- In search of Steele Rudd : author of the classic Dad & Dave stories. St. Lucia, Qld.: University of Queensland Press, 1995. 118 912
Fotheringham, Richard (2010) Inside the killing fields of Queensland. The Australian Literary Review, 12-13. 96  
Fotheringham, R A (2006). Introduction. Arabin; or, The Adventures of a Settler. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 96-110) St Lucia, Queensland: The University of Queensland Press. 65  
Fotheringham, R. A. (2006). Introduction. For 60,000 pounds. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 387-396) St Lucia, Queensland: The University of Queensland Press. 26  
Fotheringham, R A (2006). Introduction. For the Term of His Natural Life. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 457-470) St Lucia, Queensland: The University of Queensland Press. 104  
Fotheringham, R A (2006). Introduction. Hazard; or, Pearce Dyceton's Crime. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 316-324) St Lucia, Queensland: The University of Queensland Press. 49  
Fotheringham, R A (2006). Introduction. Life in Sydney; or, The Ran Dan Club. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 41-58) St Lucia, Queensland: The University of Queensland Press. 77  
Fotheringham, R. A. (2001). Introduction: Tent Shows and Abominable Showmen. In Margery Forde and Michael Forde (Ed.), Way Out West: Legends and Larrikins - A Travelling Federation Show 1 ed. (pp. 7-13) Brisbane: Playlab Press. 78  
Fotheringham, R A (2006). Introduction. The Bushrangers; or, Norwood Vale. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 5-12) St Lucia, Queensland: The University of Queensland Press. 77  
Fotheringham, R A (2006). Introduction. The House that Jack Built. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 218-232) St Lucia, Queensland: The University of Queensland Press. 88  
Fotheringham, R A (2006). Introduction. The Kelly Gang. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 551-570) St Lucia, Queensland: The University of Queensland Press. 44  
Fotheringham, R A (2006). Introduction. The South-Sea Sisters: A Lyric Masque. In R. Fotheringham (Ed.), Australian Plays for the Colonial Stage 1834-1899 1 ed. (pp. 193-198) St Lucia, Queensland: The University of Queensland Press. 68  
Fotheringham, R. A. (2004) 'It's worse further up'. review of Graham Seal, Inventing ANZAC: The digger and national mythology. Australian Book Review, 265 24-24. 191  
Fotheringham, Richard (2010) Laughing it off: Australian stage comedy after World War 1. History Australia, 7 1: 03.1-03.20. doi:10.2104/ha100003 74 3 0
Fotheringham, Richard (2005) Li, Ruru. Shashibiya: Staging Shakespeare in China. Australasian Drama Studies, 46: 139-143. 105  
Fotheringham, Richard Massacres of Australian Aborigines in Queensland’s Maranoa region in the 1850s. St Lucia, QLD, Australia: The University of Queensland, 2011. 339 131
Fotheringham, Richard and Kelly, Veronica (1995) Ostracised in P. Parsons and V. Chance (eds.) Companion to Theatre in Australia. Sydney, NSW: Currency Press in association with Cambridge University Press 37  
Fotheringham, Richard and Kelly, Veronica (1995) Parsifal: or, The Redemption of Kundry in P. Parsons and V. Chance (eds.) Companion to Theatre in Australia. Sydney, NSW: Currency Press in association with Cambridge University Press 36  
Fotheringham, Richard (2013). Preface: Australian theatre in the noughties. In Richard Fotheringham and James Smith (Ed.), Catching Australian theatre in the 2000s (pp. 9-13) Amsterdam, Netherlands: Rodopi. 24 2
Fotheringham, R. (2003) Review of Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan. Theatre Research International, 28 2: 216-217. doi:10.1017/S0307883303271091 88   0 0
Fotheringham, Richard (2010) Review of: Gae Anderson, Tivoli King: Life of Harry Rickards, Vaudeville Showman (Sydney: Allambie, 2009). Australasian Drama Studies, 57 231-233. 57  
Fotheringham, R. A. (2003) Review of See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Theatre Research International, 28 2: 218-219. doi:10.1017/S0307883303291094 48   0 0
Fotheringham, R. A. (2001). Shakespeare in Queensland: A Cultural-Economic Approach. In John Golder and Richard Madelaine (Ed.), O Brave New World: Two Centuries of Shakespeare on the Australian Stage 1 ed. (pp. 218-235) Sydney: Currency Press. 66  
Fotheringham, Richard (2009) Speaking a new world: Language in early Australian plays. AUMLA - Journal of the Australasian Universities Language & Literature Association, 111 May: 1-20. 60 3 0 Cited 0 times in Scopus0
Fotheringham, R. A. (2003) 'Spouting in the Colonies'. Review of Robert Jordan, The Convict Theatres of Early Australia 1788-1840.. Australian Book Review, 248 31-31. 124  
Fotheringham, R. A. (2001). Steele Rudd (Arthur Hoey Davis). In Selina Samuels (Ed.), Dictionary of Literary Biography (pp. 327-336) Detroit: Gale Research Co.. 159  
Fotheringham, R. A. (2000). Theatre from 1788 to the 1960s. In Elizabeth Webby (Ed.), Cambridge Companion to Australian Literature 1st ed. (pp. 134-157) Melbourne: Cambridge U P. 74  
Fotheringham, Richard (2005) Theatrical Events: Borders, Dynamics, Frames (review). Modern Drama, 48 4: 852-854. doi:10.1353/mdr.2006.0025 363 2 0 0
Fotheringham, R. A. (2000) The Cambridge History of American Theatre: Vol 1, ed Don B Wilmeth & Christopher Bigsby. Australasian Drama Studies, 37 106-110. 56  
Fotheringham, R. A. (2001) Theorising the Individual Body on Stage and Screen; or, The Jizz of Martin Guerre'. Journal of Dramatic Theory and Criticism, 15 2: 17-32. 64  
Fotheringham, Richard (2014). Using on-screen modeling to examine Shakespearean stage performance. In: Martin Procházka, Michael Dobson, Andreas Höfele and Hanna Scolnicov, Renaissance Shakespeare: Shakespeare Renaissances. Proceedings of the Ninth World Shakespeare Congress. 9th World Shakespeare Congress 2011, Prague, Czech Republic, (115-124). 17-22 July 2011. 42 12
Fotheringham, Richard A. (2003) Viola Tait, Principal boys ... and all that: A history of pantomime in Australia. Australasian Drama Studies, 43: 189-192. 86  
Fotheringham, Richard and Carleton, Stephen (2013). "White Australia" in 1909: the background to the play and the two surviving scripts. In Richard Fotheringham (Ed.), White Australia or, the empty North (pp. 6-16) Brisbane, Australia: Playlab Press. 60 5
Fotheringham, R. A. (2000) Writing in dark times. Ignite, 4 10-12. 36