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Tompkins, Joanne (2008) Adapting Australian novels for the stage: La Boite Theatre's versions of Last Drinks, Perfect Skin, and Johnno. Australian Literary Studies, 23 3: 305-317. 506   Cited 0 times in Scopus0
Harvey, Neal, Grehan, Helena and Tompkins, Joanne (2009). AusStage: From database of performing arts to a performing database of the arts. In Katherine Bode and Robert Dixon (Ed.), Resourceful reading: The new empiricism, eResearch and Australian literary culture (pp. 325-333) Sydney, Australia: Sydney University Press. 68  
Tompkins, Joanne (2010). Balancing the 'Local' and the 'Global' in theatre for the international stage: The stage adaptation of David Malouf's Johnno. In Pirkko Koski and Melissa Sihra (Ed.), The local meets the global in performance (pp. 81-98) Newcastle upon Tyne: Cambridge Scholars Publishing. 58 1
Harvey, Neal, Grehan, Helena and Tompkins, Joanne (2010) 'Be thou familiar, but by no means vulgar': Australian theatre blogging practice. Contemporary Theatre Review, 20 1: 109-119. doi:10.1080/10486800903225626 51 1 1 Cited 2 times in Scopus2 0
Tompkins, Joanne and Erskine, Shona (2009). BoF: AusStage and the Aus-e-Stage Project: Collaborative eResearch in the performing arts. In: eResearch Australasia 2009, Sydney, Australia, (). 9 - 13 November, 2009. 126 110
Tompkins, Joanne (2003) Canadian Theatre and Memorializing: Memorializing and counter-memorializing in The Death of General Wolfe, Angélique and Sled. Canadian Theatre Review, 115: 5-11. 70  
Tompkins, Joanne (2005). Conflicting fields of vision: Performing self and other in two intercultural Shakespeare productions. In Barbara Hodgdon and W. B. Worthen (Ed.), A companion to Shakespeare and performance 1 ed. (pp. 610-624) Oxford: Blackwell. 391 173
Tompkins, J. E. (2006). Counter-monumentalising and Janis Balodis's The Ghost Trilogy. In McAuley, Gay (Ed.), Unstable Ground: Performance and the Politics of Place (pp. 81-93) Berlin: P.I.E. Peter Lang. 108  
Tompkins, J. E. (2004) Directing and producing theatre with the help of virtual reality. Scenography International, 7: 1-5. 111  
Tompkins, J. E. (2001). "Fatherlands and Mother-tongues": Family Histories and Futures in Recent Australian and Canadian Multicultural Theatre. In M. Maufort and F. Bellarsi (Ed.), Siting the Other (pp. 347-362) Brussels: P.I.E.-Peter Lang. 51  
Tompkins, Joanne (2006). Gendering space: The desert and the psyche in contemporary Australian theatre. In Elaine Aston and Geraldine Harris (Ed.), Feminist Futures? Theatre, Performance, Theory (pp. 190-208) New York, N.Y, United States: Palgrave Macmillan. 57 13
Tompkins, J (2001) 'Homescapes' and identity reformations in Australian multicultural drama. Theatre Research International, 26 1: 47-59. 134   2
Tompkins, J. E. (2002) James Reaney in New, William H. (eds.) Encyclopedia of Literature in Canada. 1st Toronto, Canada: University of Toronto Press 44  
Tompkins, Joanne (2008). Landscapes and Soundscapes in Noelle Janaczewska's Theatre. In Noelle Janaczewska (Ed.), Songket; This territory/two plays by Noëlle Janaczewska (pp. ix-xiv) Strawberry Hills, Sydney, N.S.W: Currency Press. 124  
Tompkins, Joanne (2014). Making the invisible visible: virtual stage props and Christopher Marlowe's Dr Faustus. In Marlis Schweitzer and Joanne Zerdy (Ed.), Performing objects and theatrical things (pp. 161-172) Basingstoke, Hampshire, United Kingdom: Palgrave Macmillan. 39 5
Tompkins, J. E. (2001) Modern: Drama (defining the field), Part II. Modern Drama, 44 1: 1-2. 70   0
Tompkins, Joanne (2013) National Performance: Representing Quebec from Expo 67 to Celine Dion. By Erin Hurley.. Theatre Survey, 54 1: 141-143. doi:10.1017/S0040557412000452 33   0 0
Tompkins, Joanne (2013). Noëlle Janaczewska’s twenty-first-century theatre: explorations of Australian cultural constructs and theatrical form. In Richard Fotheringham and James Smith (Ed.), Catching Australian theatre in the 2000s (pp. 207-220) Amsterdam, Netherlands: Rodopi. 42 6
Tompkins, Joanne (2013) Performing ghosts in Australia: Ibsen and an example of Australian cultural translation. Ibsen Studies, 13 1: 2-27. doi:10.1080/15021866.2013.792663 32 1 0
Tompkins, Joanne (2007). Performing history's unsettlement. In J. Reinelt and J. Roach (Ed.), Critical theory and performance 2nd ed. (pp. 71-84) Ann Arbor, Michigan, U.S.A.: The University of Michigan Press. 390 5
Tompkins, Joanne (2001) Peter Dickinson, Here Is Queer: Nationalisms, Sexualities, and the Literatures of Canada. Toronto: University of Toronto Press, 1999.. AUMLA, 95: 126-127. 82  
Tompkins, J. E. (2006) Remember the nation: Lorena Gale's Je me souviens. Canadian Theatre Review, 125 56-61. 130  
Delbridge, Matthew and Tompkins, Joanne (2012). Reproduction, mediation, and experience : virtual reality, motion capture and early modern theatre. In SPACE–EVENT–AGENCY–EXPERIENCE: open access epublication of the DREX Project Centre for Practice as Research in Theatre (pp. 56-65) Tampere, Finland: University of Tampere. 72 7
Tompkins, Joanne (2009) Review: Impact of the Modern: Vernacular Modernities in Australia 1870s-1960s edited by Robert Dixon and Veronica Kelly. Contemporary Theatre Review, 19 3: 372-374. doi:10.1080/10486800903000151 51   0 0
Tompkins, J. E. (1999) Review of Humphrey Bower, Adaptor, Natural Life. Australasian Drama Studies, 35 October: 186-189. 56  
Tompkins, Joanne E. (2002) Review of the Haunted Stage: The Theatre as Memory Machine. Etudes Théatrales/Essays in Theatre, 20 2: 157-158. 104  
Tompkins, Joanne (2007) Review: Staging social welfare. Canadian Literature: A Quarterly of Criticism and Review, 193: 112-115. 84   0
Tompkins, J. E. (2004) Review: The semiotics of theatre and drama, second edition by Keir Elam. Australasian Drama Studies, 44 146-148. 221  
Tompkins, Joanne (2013) Ros Merkin, ed. "Liverpool Playhouse: A Theatre and Its City". Modern Drama, 56 3: 416-417. doi:10.1353/mdr.2013.0034 14 1 0
Tompkins, Joanne (2011) Site-specific theatre and political engagement across space and time: The psychogeographic mapping of British Petroleum in Platform's And While London Burns. Theatre Journal, 63 2: 225-243. 152 6 Cited 3 times in Scopus3
Tompkins, J. (2003) Space and the geographies of theatre: Introduction. Modern Drama, 46 4: 537-541. 80   1 Cited 1 times in Scopus1
Tompkins, Joanne (2010). Spatiality and contaminated land: Staging Maralinga. In Jennifer Rutherford and Barbara Holloway (Ed.), Halfway house the poetics of Australian spaces (pp. 310-319) Crawley, W.A., Australia: UWA. 68 6
Tompkins, Joanne E. (2009) Staging International Feminisms. Edited by Elaine Aston and Sue-Ellen Case. Contemporary Theatre Review, 19 1 Special Issue: The Broadway Musical: New Approaches: 118-119. doi:10.1080/10486800802556444 58   0 0
Tompkins, Joanne (2009). Staging the imagined city in Australian theatre. In D. J. Hopkins, Shelley Orr and Kim Solga (Ed.), Performance and the city (pp. 187-203) UK: Palgrave Macmillan. 45 3
Tompkins, J. E. (2001) Teaching Canadian Plays in Australia. Canadian Theatre Review, 105 Winter: 27-28. 50  
Tompkins, Joanne (2012) Theatre's heterotopia and the site-specific production of Suitcase. TDR, 56 2: 101-112. doi:10.1162/DRAM_a_00169 68 3 0 Cited 0 times in Scopus0 0
Tompkins, Joanne Theatre's heterotopias: performance and the cultural politics of space. Sydney, NSW, Australia: Palgrave Macmillan, 2014. 50 2
Tompkins, J. E. (2000) The Drama of South Africa, by Loren Kruger. Australasian Drama Studies, 37 October: 124-126. 59  
Harvey, N. and Tompkins, J. (2005) Theoretical methodologies and the advent of virtual analytical tools in theatre. Contemporary Theatre Review, 15 4: 455-469. doi:10.1080/10486800500280479 63 2 1 Cited 0 times in Scopus0 0
Tompkins, Joanne (2012). The 'Place' and practice of site-specific theatre and performance. In Anna Birch and Joanne Tompkins (Ed.), Performing site-specific theatre: politics, place, practice (pp. 1-17) Houndmills, Basingstoke, United Kingdom: Palgrave Macmillan. 73 7
Tomkins, Joanne (2010) The politics of locating Othello in Finland. Nordic Theatre Studies, 22 20-29. 86 7
Tompkins, Joanne (2009) The politics of location in Othello, Djanet Sears's Harlem Duet, and Ong Keng Sen's Desdemona. Contemporary Theatre Review, 19 3: 269-278. doi:10.1080/10486800902985881 110 1 0 Cited 0 times in Scopus0 0
Tompkins, Joanne (2006). The Shape of a Life: Constructing the ‘Self’ and ‘Other’ in Joan MacLeod’s The Shape of a Girl and Guillermo Verdecchia and Marcus Youssef’s A Line in the Sand. In Sherrill Grace and Jerry Wasserman (Ed.), Theatre and autobiography: Writing and Performing Lives in Theory and Practice (pp. 124-136) Penticton, British Columbia: Talonbooks. 302 605
Tompkins, Joanne (2011). The use of virtual reality models in capturing the spatiality of early modern venues. In: 9th World Shakespeare Congress 2011, Prague, Czech Republic, (). 17-22 July, 2011. 13  
Tompkins, Joanne E. Unsettling Space: Contestations in Contemporary Australian Theatre. Basingstoke: Palgrave Macmillan, 2006. 458 45
Tompkins, Joanne (2009) Urban entanglements in three African Canadian plays: Lorena Gale's Angelique, George Boyd's Consecrated Ground, and Andrew Moodie's Riot. Theatre Research in Canada, 30 1-2: 17-36. 120   Cited 0 times in Scopus0
Tompkins, Joanne and Delbridge, Matt (2009). Using virtual reality modelling in cultural management, archiving and research. In: Alan Seal, Suzanne Keene and Jonathan Bowen, Proceedings of EVA London 2009. EVA 2009 London Conference, London, UK, (260-269). 6-8 July 2009. 71  
Harvey, N. A. and Tompkins, J. E. (2006). Virtual reality and negotiating problems of real theater space. In T. Rommel and M. Schreiber (Ed.), Mapping Uncertain Territories: Space and Place in Contemporary Theater and Drama (pp. 169-178) Germany: Wissenschaftlicher Verlag Trier. 57  
Tompkins, Joanne (2009). Virtual recreations of historical theatres: How VR meets theatre history. In: eResearch Australasia 2009, Sydney, Australia, (). 9 - 13 November 2009. 134 76
Holledge, J. and Tompkins, J. E. Women's Intercultural Performance. London: Routledge, 2000. 43  

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