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O'Regan, T. (2002). A National Cinema. In Graeme Turner (Ed.), The Film Cultures Reader (pp. 139-164) London: Routledge. 106  
O'Regan, Tom (2002). Arts Audiences: Becoming Audience-minded. In Mark Balnaves, Tom O'Regan and Jason Sternberg (Ed.), Mobilising the Audience (pp. 104-130) St Lucia, Qld: University of Queensland Press. 348 1
Goldsmith, B., Thomas, J., O'Regan, T. and Cunningham, S. (2002). Asserting Cultural and Social Regulatory Principles in Converging Media Systems. In Marc Raboy (Ed.), Global Media Policy in the New Millennium (pp. 93-109) Luton, UK: University of Luton Press. 61  
O'Regan, Thomas, Bonner, Frances J. and Jason Jacobs (2009) Austlit: Screenlit. St. Lucia, Brisbane, Australia, AustLit. 97  
O'Regan, T. (2002). Australian Cinema as a National Cinema. In Alan Williams (Ed.), Film and Nationalism (pp. 89-136) East Brunswick, NJ: Rutgers University Press. 57  
O'Regan, T. (2004). Australia's Television Culture. In Allen, Robert C. and Hill, Annette (Ed.), The Television studies reader (pp. 79-91) London: Routledge. 114  
O'Regan, Tom and Goldsmith, Ben (2013). Beyond the modular film school: Australian film and television schools and their digital transitions. In Mette Hjort (Ed.), The Education of the Filmmaker in Europe, Australia and Asia (pp. 149-170) New York, NY, USA: Palgrave Macmillan. doi:10.1057/9781137070388 58 6 0
O'Regan, T. (2007). Capitalising on anxiety: Financial literacy and the publishing industry. In D. J. Carter and A. Galligan (Ed.), Making Books: Contemporary Australian Publishing (pp. 315-332) Brisbane: University of Queensland Press. 366 6
Goldsmith, Ben and O'Regan, Tom (2003) Cinema Cities, Media Cities: The Contemporary International Studio Complex Sydney: Australian Film Commission 56  
Balnaves, Mark and O'Regan, Thomas (2009). Comparing television ratings conventions: Australian and American approaches to broadcast ratings. In: Terry Flew, Communication, creativity and global citizenship: Refereed proceedings of the Australian and New Zealand Communication Association conference 2009. ANZCA09 Conference, Brisbane, Australia, (7-22). July 8 - 10 2009. 68  
Balnaves, Mark and O'Regan, Tom (2008). Constructing an audience ratings convention. In: Tilley, Elspeth, Power and Place: Refereed Proceedings of the Australian and New Zealand Communication Association Conference 2008. Power and Place: ANZCA08 Conference, Wellington, New Zealand, (1-16). July 9 - 11, 2008. 46  
Gibson, Lisanne and O'Regan, Thomas (2002) Culture: Development, industry, distribution. Media International Australia Incorporating Culture and Policy, 102 5-8. 327 4
O'Regan, Tom and Ward, Susan (2011) Defining a national brand: Australian television drama and the global television market. Journal of Australian Studies, 35 1: 33-47. doi:10.1080/14443058.2010.541928 100 3 0 Cited 1 times in Scopus1 0
Goldsmith, Ben, Ward, Susan and O'Regan, Tom (2014) Dino De Laurentiis and Australia: creating a film industry on the Gold Coast. Studies in Australasian Cinema, 8 1: 70-75. doi:10.1080/17503175.2014.939430 34 2 0
O'Regan, T. and Goldsmith, B (2002). Emerging Global Ecologies of Production. In Dan Harries (Ed.), The New Media Book (pp. 92-105) London: British Film Institute. 349 1
O'Regan, Tom and Ward, Susan (2006) Experimenting with the Local and the Transnational: Television Drama Production on the Gold Coast. Continuum, 20 1: 17-31. doi:10.1080/10304310500475335 356 9 0
Ward, Susan and O'Regan, Tom (2010). Fashioning the boutique location: Remaking the Gold Coast as an international production location. In Greg Elmer, Charles H. Davis, Janine Marchessault and John McCullough (Ed.), Locating Migrating Media (pp. 79-102) Lanham, MD, U.S.A.: Lexington Books. 142 6
O'Regan, Tom and Ryan, Mark David (2004) From multimedia to digital content and applications: Remaking policy for the digital content industries. Media International Australia Incorporating Culture and Policy, 2004 112: 28-49. 372 56
O'Regan, T. and Ryan, M. (2004). From multimedia to digital content and applications: Transitions in governmental policy towards the (digial) content industries. In: The 2004 ANZCA Conference. Making a Difference: Australian & NZ Communication Ass Conference, Sancta Sophia and Women's Colleges, University of Sydney, (1-22). July 7 - 9, 2004. 34  
Ward, Sue, O'Regan, Tom and Goldsmith, Ben (2010) From Neighbours to packed to The Rafters: Accounting for longevity in the evolution of Aussie soaps. Media International Australia Incorporating Culture and Policy, 136: 162-176. 193   1 Cited 2 times in Scopus2
O'Regan, Tom and Potter, Anna (2013) Globalisation from within? The de-nationalising of Australian film and television production. Media International Australia Incorporating Culture and Policy, 149: 5-14. 134 7 0
M. Balnaves and O'Regan, T. (2002). Governing the Audience. In Mark Balnaves, Tom O'Regan and Jason Sternberg (Ed.), Mobilising the Audience (pp. 10-28) St Lucia, Qld: University of Queensland Press. 37  
Goldsmith, Ben and O'Regan, Tom (2008). International film production: Interests and motivations. In Janet Wasko and Mary Erickson (Ed.), Cross-Border Cultural Production: Economic Runaway or Globalization? (pp. 13-44) Amherst, New York: Cambria Press. 157 297
O'Regan, Thomas (2001). Knowing The Processes But Not The Outcomes: Australian Cinema Faces The Millenium. In Carter, David and Bennett, Tony (Ed.), Culture in Australia: Policies, Publics and Programs 1 ed. (pp. 18-45) Oakleigh, Melbourne: Cambridge University Press. 96 210
O'Regan, Tom, Goldsmith, Ben and Ward, Susan Local Hollywood Global Film Production and the Gold Coast. St Lucia, Qld., Australia: University of Queensland Press, 2010. 156 6
Goldsmith, Ben and O'Regan, Tom (2004) Locomotives and stargates: Inner-city studio complexes in Sydney, Melbourne and Toronto. International Journal of Cultural Policy, 10 1: 29-45. doi:10.1080/1028663042000212319 80 3 0
O'Regan, T and Goldsmith, (2006) Making cultural policy: Meeting cultural objectives in a digital environment. Television and New Media, 7 1: 68-91. 83 3
O'Regan, Tom and Ward, Susan (2012) Making screen production work at the margins: path-dependent development in Brisbane and the Gold Coast. International Journal of Cultural Policy, 20 2: 186-201. doi:10.1080/10286632.2012.745519 40   0 Cited 0 times in Scopus0 1
O'Regan, Tom (2005). Making sense of UNESCO: Reflections on its significance for Australia and internationally. In R. Breit and J. Servaes (Ed.), Information society or knowledge societies? UNESCO in the smart state (pp. 53-71) Penang, Malaysia: Southbound Penang. 83 10
O'Regan, Tom and Ward, Susan (2008). Managing uncertainty: Defining the location interests of a Greenfield location. In Wasko, Janet and Erickson, Mary (Ed.), Cross-Border Cultural Production: Economic Runaway or Globalization? (pp. 155-186) Amherst, New York: Cambria Press. 97 17
O'Regan, Tom and Balnaves, Mark (2008). Ratings in revolution or transition?. In: Papandrea, Franco and Armstrong, Mark, Record of the Communications Policy & Research Forum 2008. Communications Policy and Research Forum, University of Technology Sydney, Sydney, (134-142). 29-30 September 2008. 44  
O'Regan, Tom, Garland, Ian, Muir, Ian, Chard, Robert, Thomas, Abigail and Hartley, John (2002) Ratings in transition: Industry implications. Ratings in transition, 105 6-9. 81  
Balnaves, Mark, O'Regan, Thomas and Goldsmith, Ben Rating the audience: the business of media. London, United Kingdom: Bloomsbury Academic, 2011. doi:10.5040/9781849664622 67 8 0
O'Regan, Tom (2013) Reception and exposure in architecture, film and television. Architectural Theory Review, 18 3: 272-278. doi:10.1080/13264826.2014.875611 26   0 Cited 0 times in Scopus0 1
O'Regan, Tom (2012) Remembering video: Reflections on the first explosion of informal media markets through the VCR. Television & New Media, 13 5: 383-398. doi:10.1177/1527476412443090 30   0 Cited 0 times in Scopus0 1
O'Regan, T. (2005) Review: Shooting Through: Australian Film and the Brain Drain, Walton, Storry. Media International Australia, 117 171-172. 76  
Ward, Susan and O'Regan, Tom (2007) Servicing 'the other Hollywood': The vicissitudes of an international television production location. International Journal of Cultural Studies, 10 2: 167-185. doi:10.1177/1367877907076776 370 2 Cited 6 times in Scopus6 0
O'Regan, T. and Goldsmith, B. (2004). Still the center: Cultural geographies of US film production. In: Tiziana Ferrero-Regis and Albert Moran and Alberto Moran, Placing the Moving Image. Placing the Moving Image, Brisbane, Australia, (173-204). 29 April 2004. 79  
O'Regan, Tom (2012) Styles of national and global integration: Charting media transformation in Australian cities. Studies in Australasian Cinema, 5 3: 223-238. doi:10.1386/sac.5.3.223_1 49   0
Balnaves, Mark and O'Regan, Tom (2009). Survey wars: The explosion of measurement in audience ratings. In: Record of the Communications Policy & Research Forum 2009. Communications Policy & Research Forum 2009, University of Technology, Sydney, (256-263). 19 - 20 November 2009. 56  
O'Regan, Tom, Ward, Susan and Goldsmith, Ben (2011). Sydney's media cluster: Continuity and change in film and television. In Charlie Karlsson and Robert G. Picard (Ed.), Media clusters spatial agglomeration and content capabilities (pp. 199-222) Cheltenham, United Kingdom: Edward Elgar Publishing. 139 11
Ward, Susan and O'Regan, Tom (2009) The film producer as the long-stay business tourist: Rethinking film and tourism from a Gold Coast perspective. Tourism Geographies, 11 2: 214-232. doi:10.1080/14616680902827175 105   3 Cited 7 times in Scopus7 0
Goldsmith, Ben and O'Regan, Thomas The film studio: Film production in the global economy. New York, U.S.: Rowman & Littlefield Publishers, 2005. 494 26
O'Regan, T. and Ward, S. (2004) The Gold Coast movie-of-the-week: A North American form in its Australian context. Metro, 143 100-109. 40  
Ward, Susan and O'Regan, Tom (2014) The Northern Rivers media sector: making do in a high-profile rural location. International Journal of Cultural Policy, Latest articles . doi:10.1080/10286632.2014.907797 11 1 Cited 0 times in Scopus0 0
Goldsmith, B. and O'Regan, T. (2005). The policy environment of the contemporary film studio. In M. Gasher and G. Elmer (Ed.), Contracting out Hollywood: runaway productions and foreign location shootings (pp. 41-66) Lanham, MD: Rowman & Littlefield Pub. 55  
O'Regan, Tom (2008). The political economy of film. In Donald, James and Renov, Michael (Ed.), The Sage Handbook of Film Studies (pp. 244-261) Los Angeles, London, New Delhi and Singapore: Sage Publication Ltd.. 114 10
Balnaves, Mark and O'Regan, Tom (2010) The politics and practice of television ratings conventions: Australian and American approaches to broadcast ratings. Continuum, 24 3: 461-474. doi:10.1080/10304311003703090 95 1 1 Cited 2 times in Scopus2 0
Balnaves, Mark and O'Regan, Thomas (2002). The ratings in transition: the politics and technologies of counting. In Balnaves, Mark, O'Regan, Thomas and Sternberg, Jason (Ed.), Mobilising the Audience 1 ed. (pp. 29-64) St Lucia, Brisbane: University of Queensland Press. 550 254
O'Regan, T. (2004) The utility of global forum: UNESCO's significance for communication, culture and ICTs'. Media International Australia, 111 63-80. 327 1

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