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Collins, Denis B. and Bevin, Elway A briefe and short instruction of the art of musicke by Elway Bevin. Edited by Collins, Denis B. Aldershot, U.K.: Ashgate, 2007. 571 7
Collins, Denis and Schloss, W. Andrew (2001) An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering. Music Perception, 19 2: 141-154. 1229 671
Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. In M. Ewans, R. Halton and J. Phillips (Ed.), Music Research: New Directions for a New Century 1 ed. (pp. 368-375) London: Cambridge Scholars Press. 92  
Collins, Denis (1999) Bach and approaches to canonic composition in early eighteenth-century theoretical and chamber music sources. BACH: The Journal of the Riemenschneider Bach Institute, 30 2: 27-48. 42   3
Collins, Denis (2002) Bach's occasional canon BWV 1073 and 'stacked' canonic procedure in the eighteenth century. BACH: The Journal of the Riemenschneider Bach Institute, 33 2: 15-34. 734 183 0 Cited 0 times in Scopus0
Collins, Denis (1994) Canon and music pedagogy 1500-1800. Theoria: Historical Aspects of Music Theory, 8 53-72. 35  
Collins, Denis (2004). Compositional strategies in sixteenth-century three- and four-part canons. In: Musicological Society of Japan, Musicology and Globalization: Proceedings of the International Congress in Shizuoka 2002 in Celebration of the 50th Anniversary of the Musicological Society of Japan. International Congress of the Musicological Society of Japan (IMJ 2002): Musicology and Globalisation, Shizuoka, Japan, (272-276). 2-5 November 2002. 89  
Collins, Denis (2013) Counterpoint in Bruce Gustafson (eds.) Oxford Bibliographies in Music. Oxford, UK: Oxford University Press 49  
Collins, Denis (2014). Creative collaborative thought and puzzle canons in renaissance music. In Margaret Barrett (Ed.), Collaborative creative thought and practice in music (pp. 111-126) Farnham, Surrey, United Kingdom: Ashgate. 36 5
Collins, Denis B. (2007) From Bull to Bach: In search of precedents for the "Complete" version of the Canon by augmentation and contrary motion in J.S. Bach's Musical Offering. BACH: The Journal of the Riemenschneider Bach Institute, 38 2: 39-63. 131 2 0 Cited 0 times in Scopus0
Collins, Denis (1993). Fugue, Canon and Double Counterpoint in Nicola Vicentino's L'antica musica. In Harry White and Gerard Gillen (Ed.), Music and the Church (pp. 276-301) Dublin, Ireland: Four Courts Press. 45  
Collins, Denis (2012) Fundamentals of Musical Performance [by] Zdenek Bruderhans. Musicology Australia, 34 2: 339-340. doi:10.1080/08145857.2012.738057 43   0
Collins, Denis (2010). Henry Purcell's Three Parts Upon a Ground and the traditions of English counterpoint. In: Milos Zatkalik, Music Theory and Analysis 2010: Refereed Proceedings of the Seventh International Conference Music Theory and Analysis 2009. Seventh International Conference on Music Theory and Analysis, Belgrade, Serbia-Montenegro, (172-182). May 15-17 2009. 261 83
Collins, Denis (1993) Historical precedents for Bach's Evolutio Canon BWV 1087-10. BACH: The Journal of the Riemenschneider Bach Institute, 24 1: 5-14. 32  
Collins, Denis (2013). John Bull's "Art of Canon" and plainsong-based counterpoint in the late renaissance. In Denis Collins (Ed.), Music Theory and its Methods: Structures, Challenges, Directions (pp. 99-127) Frankfurt Am Main, Germany: Peter Lang. 91 32
Collins, D. B. and Pavlovic, B. (2002). Metric space as a cognitive-structural model of musical pitch. In: C.Stevens, D. Burnham, G.McPherson, E.Schubert and J. Renwick, Proceedings of the 7th International Conference on Music Perception and Cognition. 7th International Conference on Music Perception and Cognition, Sydney, (662-665). 17-21 July 2002. 81  
Collins, Denis (1995) Musical terminology in the canonic works of Bach: an historical context. BACH: The Journal of the Riemenschneider Bach Institute, 26 1/2: 91-101. 29   8
Collins, Denis (2012) Musicianship in the 21st Century: Issues, Trends, and Possibilities. Musicology Australia, 34 2: 335-338. doi:10.1080/08145857.2012.738056 39   0
Collins, Denis (2013). Palestrina's Missa Sacerdotes Domini and analytical approaches to renaissance counterpoint. In Miloš Zatkalik, Milena Medić and Denis Collins (Ed.), Histories and Narratives of Music Analysis (pp. 120-134) Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. 89 24
Collins, D. B. (2004) Review of Peter Williams, Bach: The Goldberg Variations. Eighteenth-Century Music, 1 2: 318-319. 124  
Collins, Denis (2008) "So you want to write a canon?" An historically-informed new approach for the modern theory class. College Music Symposium, 48 108-123. doi:10.2307/25664812 155 28 0
Collins, Denis (1996) Spiegel-Kontrapunkt in Theorie und Praxis: Vorlaufer fur Contrapunctus 12 und 13 aus Bachs Kunst der Fuge. Bach-Jahrbuch, 82 77-92. 40  
Collins, D. (2007). 'Sufficient to quench the thirst of the most insaciate scholler whatsoeuer': George Waterhouse's 1,163 canons on the plainsong Miserere. In: Katelijne Schiltz and Bonnie J. Blackburn, Canons and Canonic Techniques, 14th-16th Centuries: Theory, Practice, and Reception History: Proceedings of the International Conference. Canons and Canonic Techniques, 14th-16th Centuries, Katholieke Universiteit, Leuven, (407-420). 4-6 October, 2005. 329  
Collins, Denis (1995) The Martini-Redi polemic on the solution of a canon by Giovanni Animuccia. Indiana Theory Review, 16 Spring-Fall: 61-81. 40  
Collins, Denis (2003) The transmission of Zarlino's canonic theory in seventeenth-century organ chorale settings. Musicology Australia, 26 38-64. 334 3
Collins, D. B. (2003). The vocal canons of Fernando Sor. In Luis Gasser (Ed.), Estudios Sobre Fernando Sor/Sor Studies 1st ed. (pp. 305-312) Madrid, Spain: Instituto Complutense de Ciencias Musicales. 119  
Collins, Denis (1995) Thomas Tomkins's canonic additions to Thomas Morley's 'A Plaine and Easie Introduction to Practicall Musicke'. Music and Letters, 76 3: 345-355. doi:10.1093/ml/76.3.345 88   2 Cited 1 times in Scopus1 0
Collins, Denis and Huron, David (1999) Voice leading in cantus firmus-based composition: a comparison between theory and practice in Renaissance and Baroque music using computer-assisted inferential measures. Computers in Music Research, 6 Spring: 53-95. 34  
Collins, Denis B. (2009) William Bathe's tabular method and late Renaissance theories of Canon composition. Music Theory and Analysis, 1 87-95. 113  
Collins, Denis (2008) William Byrd's motets and canonic writing in England. Context: Journal of Music Research, 1 33: 45-65. 103 21
Collins, Denis (1993) Zarlino and Berardi as teachers of canon. Theoria: Historical Aspects of Music Theory, 7 103-123. 37