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Butler, Sally (2011) '21st Century' Installation art in its prime. Eyeline, 74 50-57. 75  
Butler, Sally (2014) A brush with the moving image. Eija-Liisa Ahtila: Parallel Worlds. Eyeline Contemporary Visual Arts, 80: 92-93. 32  
Butler, S. (2000) A guide to the Aboriginal art market. Australian Art Collector Magazine, 13 July-September: 66-75. 125  
Butler, S. (1999) Alice Springs: A collectors guide. Australian Art Collector, 10: 104-108. 60  
Butler, Sally (2008). Alick Tipoti: Zugubal. In Michele Helmrich (Ed.), New: Selected Recent Acquisitions 2007 - 2008 (pp. 72-73) St. Lucia, Queensland: The University of Queensland Art Museum. 115  
Butler, Sally (2010) Before time today: Reinventing tradition in Aurukun Aboriginal art. St Lucia, QLD, Australia, The University of Queensland Art Museum. 69 31
Butler, S. (2005) (Book review) The Photography Reader. Media International Australia, 116 134-135. 83  
Butler, Sally (2008). Brook Andrew: Retrieving history. In Helmrich, Michelle (Ed.), New: Selected Recent Acquisitions 2007 - 2008 (pp. 130-131) St Lucia, Queensland: The University of Queensland Art Museum. 63  
Butler, Sally (2003). Cape York's Time in Motion. In Weir, Ian (Ed.), Story Place Indigenous Art of Cape York and the Rainforest (pp. 192-199) Brisbane, Australia: Queensland Art Gallery. 71 109
Butler, Sally (2013). Dick Roughsey Goobalathaldin: Goobalathaldin's modern life. In Ian Were (Ed.), Newv3: Selected recent acquisitions 2011-2103 (pp. 82-83) St. Lucia, QLD, Australia: The University of Queensland Art Museum. 12  
Butler, Sally. (2002). Emily Kngwarreye and the enigmatic object of discourse PhD Thesis, School of English, Media Studies and Art History, The University of Queensland. 435 749
Butler, S. (2000) Eugene Carchesio. Australian Art Collector Magazine, 14 October-December: 51-52. 52  
Butler, Sally (2010). Experimental art in Queensland. In Sally Butler and Henrietta Marrie (Ed.), Cairns Indigenous Art Fair 2010 (pp. 14-26) Brisbane: Arts Queensland. 21  
Butler, Sally (2008). Exploiting the avant-garde. In Sally Butler (Ed.), Fully Exploited Labour (pp. 104-105) St Lucia, Queensland: The University Queensland Art Museum. 87  
Butler, S. (2000) Gabriella Wallace. Australian Art Collector Magazine, 12 April-June: 78-78. 94  
Butler, Sally (2010). Goobalathaldin's Rainbow Serpent. In Follett, Roslyn (Ed.), Found in Fryer : Stories from the Fryer Library Collection (pp. 172-173) St Lucia: University of Queensland Library. 29  
Butler, Sally (2008). Introduction. In Sally Butler (Ed.), Fully expolited labour: Pat Hoffie (pp. 97-97) Brisbane, Australia: University of Queensland Art Museum. 33  
Butler, Sally (2013) J. THOMAS RIMER(ed)Since Meiji: Perspectives on the Japanese Visual Arts, 1868–2000,. Asian Studies Review, 37 1: 103-105. doi:10.1080/10357823.2013.767164 45   0 0
Butler, S. (2000) Marian Drew. Australian Art Collector Magazine, 14 October-December: 68-68. 91  
Butler, Sally (2012). Mavis Ngallametta, creative country; The Lockhart River 'Old Girls' a homelands state of mind; Roy McIvor - Wawu; Bagu commemorative objects. In New, v. 2: selected recent acquisitions, 2009-011 (pp. 127-133) St Lucia, Qld., Australia: The University of Queensland Art Museum. 47  
Butler, S. (1999) Michael Nelson Jagamara's new expressions. Eyeline, 41: 36-39. 50  
Butler, S. (2000) Michael Nelson Tjakamarra Unmasked. Australian Art Collector Magazine, 13 July-September: 88-90. 91  
Butler, Sally (2012) Mikala Dwyer's occult constructivism. Eyeline Contemporary Visual Arts, 77 46-51. 69  
Butler, S. (2003) Multiple views: Pluralism as curatorial perspective. Australian and New Zealand Journal of Art, 4 1: 11-28. 388 84
Butler, Sally (2014) 'My Country' but 'Not My Style'. Eyeline: Contemporary Visual Arts, 81 36-41. 26 1
Butler, S. (1999) New art on the block. Australian Art Collector, 8: 58-61. 37  
Butler, Sally (2013). Ngalpingka Simms's Wayul: occupying space. In Ian Were (Ed.), Newv3: Selected recent acquisitions 2011-2103 (pp. 32-33) St. Lucia, QLD, Australia: The University of Queensland Art Museum. 23  
Butler, S. (1999) Op art now. Australian Art Collector, 8: 47-50. 27  
Butler, Sally Our way: Contemporary Aboriginal art from Lockhart River. St. Lucia, QLD, Australia: University of Queensland Press, 2007. 459 12
Butler, Sally (2007) Our way: Contemporary Aboriginal art From Lockhart River. A UQ Art Museum touring exhibition. St. Lucia, QLD, Australia, The University of Queensland. 130 65
Butler, S. (2007). Outstation art: Emily Kngwarreye and Utopia Awelye batik. In Seear, L. and Ewington, J. (Ed.), Brought to Light II. Contemporary Australian Art 1966-2006 from the Queensland Art Gallery (pp. 176-183) South Brisbane, Australia: Queensland Art Gallery Publishing. 163 4
Butler, S. (1999) Philip Bacon: 'Straight talking'. Australian Art Collector, 9: 64-68. 42  
Butler, S. (1999) Rosella Namok. Australian Art Collector, 8: 38. 37  
Butler, Sally (2008). Rosella Namok: Our way. In Helmrich, Michelle (Ed.), New: Selected Recent Acquisitions 2007 - 2008 (pp. 38-39) St. Lucia, Queensland: The University of Queensland Art Museum. 59  
Butler, S M (2006). The after-image of reason. In Jocelyn Wolfe (Ed.), Sensing the Surface: Carl Warner Images 1995-2005 (pp. 11-22) Brisbane, Qld, Australia: University of Queensland Art Museum. 51 96
Butler, Sally (2009) The inaugural Cairns Indigenous Art Fair. Eyeline, 70 69-71. 23  
Butler, S. (1999) The magic eye: Op art in focus. Australian Art Collector, 8: 42-45. 51  
Butler, Sally (2012). The "presence" of Queensland Indigenous art. In Stephen Gilchrist and Sally Butler (Ed.), Crossing cultures: the Owen and Wagner collection of contemporary aboriginal Australian art at the Hood Museum of Art (pp. 82-91) Hanover, New Hampshire: Hood Museum of Art, Dartmouth College. 37  
Butler, S. (2000). The role of Aura at the end of the Millenium. In: Pre/dictions. The Role of Art at the End of the Millenium. The role of art at the end of the millennium, Victoria University, Wellington, (44-47). 2-5 December, 1999. 36  
Butler, Sally (2009). Translating the spectacle: John Mawurndjul's intercultural aesthetic. In Claus Volkenandt and Christian Kaufmann (Ed.), Between indigenous Australia and Europe : John Mawurndjul : Art histories in context (pp. 161-174) Canberra ACT: Aboriginal Studies Press. 98 3
Butler, Sally (2001). Unnatural Origins: Contemporary Aesthetics and an Environmental Point of View. In: Hindmarsh, Richard, Situating the Environment at the University of Queensland. Environment & Culture Interdisciplinary Conference, The University of Queensland, Brisbane, (1-7). 2001. 61 148
Butler, Sally (2010) Unsettled Australia in the art of Annabel Nowlan. Eyeline, 72 44-48. 72 14