Browse by all authors Browse By Author ID - Hunter, Mary A.

Browse Results (33 results found)

Subscribe to the RSS feed for this result setSubscribe to the RSS feed for this result set


  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Hunter, M. A. and Rider, S. (2003) Affirming Community History: Sandy Gallop Dances with the Moon. Australian Drama Education Magazine, 8 33-37. 91  
Hunter, Mary Ann (2013). Alternative politics of learning: the legacy of TIE in Australia. In Anthony Jackson and Chris Vine (Ed.), Learning through Theatre: The Changing Face of Theatre in Education 3rd ed. (pp. 171-190) Abingdon, Oxon, United Kingdom: Routledge. 45  
Hunter, M. A. (2001) Anxious futures: Magpie2 and 'new generationalism' in Australian youth-specific theatre. Theatre Research International, 26 1: 71-81. doi:10.1017/S0307883301000074 109   1 1
Hunter, Mary Ann (1999). Anxious futures : valuing young people and youth-specific performance in Australia's cultural field in the 1990's PhD Thesis, English, Media Studies & Art History, University of Queensland. 319 14
Hunter, Mary Ann and Bourke, Lenine (2013). A quiet kind of magic: performance for young audiences in the new millennium. In Richard Fotheringham and James Smith (Ed.), Catching Australian theatre in the 2000s (pp. 123-149) Amsterdam, Netherlands: Rodopi. 43 8
Hunter, M. A. (2000) Contemporary Australian youth-specific performance and the negotiation of change. NJ (Drama Australia Journal), 24 1: 25-35. 86  
Hunter, Mary Ann (2008) Cultivating the art of safe space. Research in Drama Education: The Journal of Applied Theatre and Performance, 13 1: 5-21. 120  
Clarke, Robert and Hunter, Mary Ann (2003). Developing cultural citizens through Australia’s Young Artists Mentoring Program. In Frances K. Kochan and Joseph T. Pascarelli (Ed.), Global perspectives on mentoring: Transforming contexts, communities, and cultures (pp. 53-71) Greenwich, Connecticut, U.S.A.: Information Age Publishing. 76 55
Hunter, M. A. Getting Connected. Surry Hills, NSW: Australia Council, 2002. 30  
Hunter, M. A. Getting Connected: Making your Mentorship Work 1st ed. Surry Hills: Australia Council, 2002. 57  
Hunter, M. A. (2003) Luke Jaaniste: Scan 2003. Real Time, 57 On-Line. 58  
Hunter, Mary Ann (2001). No Safety Gear: Skate Girl Space and the Regeneration of Australian Community Based Performance. In Haedicke, Susan C. and Nellhaus, Tobin (Ed.), Performing Democracy: International Perspectives on Urban Community-based Performance 1 ed. (pp. 326-340) Ann Arbor, Michigan: University of Michigan Press. 60 19
Hunter, M. A. (2001). No safety gear: Skate girl space and the regenration of Australian community-based performance. In Susan C Haedicke and Tobin Nellhaus (Ed.), Performing Democracy: International Perspectives on Urban Community-based Performance (pp. 326-340) Ann Arbor: University of Michigan Press. 103  
Hunter, Mary A. and Bourke, Lenine Not just an audience: Young people transforming our theatre. Strawberry Hills, N.S.W., Australia: Currency House, 2011. 69 4
Hunter, M. A. (2005) Of peacebuilding and performance: Contact Inc's 'third space' of intercultural collaboration. Australasian Drama Studies, 47 140-158. 117  
Hunter, M. A. (2000) Opera Queensland. Lowdown Youth Performing Arts in Australia, 22 2: 10-11. 32  
Hunter, M. A. (2000) Out of the box in the backyard. Real Time, 40: 12-12. 32  
Hunter, M. A. (2001) Performing Youth: A Tactical Arts Response. Ariel: A Review of International English Literature, 32 4: 229-243. 50  
Hunter, M. A. (2002) Review of Ananse Stories. Lowdown, 24 2: 41-41. 72  
Hunter, M. A. (2003) Sacred Cow: Scan 2003. Real Time, 57 On-Line. 76  
Hunter, M. A. (2003) Shakespearean Mix. Real Time, 58 40-40. 32  
Hunter, M. A. (2002) Some Signs of the Times. YAQ Papers, 4 1: 4-6. 41  
Hunter, M. A. (2000) Susan Richer on children, art and festivals. Real Time, 39: 8-8. 54  
Hunter, M. A. (2003) The Bridge: Between Iron and Flesh. Real Time, 56 1-7. 30  
Hunter, M. A. (2003) The Fable: Sound and Body. Real Time, On-Line. 48  
Hunter, M. A. (2003) The Power of Perilous Negotiations. Real Time, 55 45-45. 33  
Hunter, M. A. (2003) To Drive the Work, Compel the Listening. Real Time, 55 7-8. 41  
Hunter, M. A. (2004) Utopia maps and ecstasy: Configuring space in Barrie Kosky's 1996 Adelaide festival. Australasian Drama Studies, 44: 36-51. 85   Cited 0 times in Scopus0
Hunter, M. A. (2004) Utopia maps and ecstasy: Configuring space in Barrie Kosky's 1996 Adelaid festival. Australasian Drama Studies, 44 36-51. 60   Cited 0 times in Scopus0
Hunter, M. A. (2003) Where to From Here?. YAQ Papers: On the Axis, 6 2: 21-25. 55  
Hunter, M. A. and Milne, G. (2005) Young people and performance in Australia and New Zealand. Australasian Drama Studies, 47 3-13. 70  
Hunter, M. A. (2001) Youth Arts Festivals and the Politics of Participation. Canadian Theatre Review, 106 Spring: 16-20. 108  
Hunter, Mary Ann (2008). Youthful presence: Nick Enright as Teacher and a property of the clan. In Anne Pender and Susan Lever (Ed.), Nick Enright : An actor's playwright (pp. 79-93) Amsterdam ; New York: Rodopi B.V.. 461