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Hunter, M. A. and Rider, S. (2003) Affirming Community History: Sandy Gallop Dances with the Moon. Australian Drama Education Magazine, 8 33-37. 90  
Hunter, Mary Ann (2013). Alternative politics of learning: the legacy of TIE in Australia. In Anthony Jackson and Chris Vine (Ed.), Learning through Theatre: The Changing Face of Theatre in Education 3rd ed. (pp. 171-190) Abingdon, Oxon, United Kingdom: Routledge. 45  
Hunter, M. A. (2001) Anxious futures: Magpie2 and 'new generationalism' in Australian youth-specific theatre. Theatre Research International, 26 1: 71-81. doi:10.1017/S0307883301000074 106   1 1
Hunter, Mary Ann (1999). Anxious futures : valuing young people and youth-specific performance in Australia's cultural field in the 1990's PhD Thesis, English, Media Studies & Art History, University of Queensland. 303 14
Hunter, Mary Ann and Bourke, Lenine (2013). A quiet kind of magic: performance for young audiences in the new millennium. In Richard Fotheringham and James Smith (Ed.), Catching Australian theatre in the 2000s (pp. 123-149) Amsterdam, Netherlands: Rodopi. 39 8
Hunter, M. A. (2000) Contemporary Australian youth-specific performance and the negotiation of change. NJ (Drama Australia Journal), 24 1: 25-35. 84  
Hunter, Mary Ann (2008) Cultivating the art of safe space. Research in Drama Education: The Journal of Applied Theatre and Performance, 13 1: 5-21. 115  
Clarke, Robert and Hunter, Mary Ann (2003). Developing cultural citizens through Australia’s Young Artists Mentoring Program. In Frances K. Kochan and Joseph T. Pascarelli (Ed.), Global perspectives on mentoring: Transforming contexts, communities, and cultures (pp. 53-71) Greenwich, Connecticut, U.S.A.: Information Age Publishing. 75 54
Hunter, M. A. Getting Connected. Surry Hills, NSW: Australia Council, 2002. 29  
Hunter, M. A. Getting Connected: Making your Mentorship Work 1st ed. Surry Hills: Australia Council, 2002. 55  
Hunter, M. A. (2003) Luke Jaaniste: Scan 2003. Real Time, 57 On-Line. 56  
Hunter, Mary Ann (2001). No Safety Gear: Skate Girl Space and the Regeneration of Australian Community Based Performance. In Haedicke, Susan C. and Nellhaus, Tobin (Ed.), Performing Democracy: International Perspectives on Urban Community-based Performance 1 ed. (pp. 326-340) Ann Arbor, Michigan: University of Michigan Press. 58 18
Hunter, M. A. (2001). No safety gear: Skate girl space and the regenration of Australian community-based performance. In Susan C Haedicke and Tobin Nellhaus (Ed.), Performing Democracy: International Perspectives on Urban Community-based Performance (pp. 326-340) Ann Arbor: University of Michigan Press. 100  
Hunter, Mary A. and Bourke, Lenine Not just an audience: Young people transforming our theatre. Strawberry Hills, N.S.W., Australia: Currency House, 2011. 67 4
Hunter, M. A. (2005) Of peacebuilding and performance: Contact Inc's 'third space' of intercultural collaboration. Australasian Drama Studies, 47 140-158. 110  
Hunter, M. A. (2000) Opera Queensland. Lowdown Youth Performing Arts in Australia, 22 2: 10-11. 31  
Hunter, M. A. (2000) Out of the box in the backyard. Real Time, 40: 12-12. 31  
Hunter, M. A. (2001) Performing Youth: A Tactical Arts Response. Ariel: A Review of International English Literature, 32 4: 229-243. 48  
Hunter, M. A. (2002) Review of Ananse Stories. Lowdown, 24 2: 41-41. 70  
Hunter, M. A. (2003) Sacred Cow: Scan 2003. Real Time, 57 On-Line. 73  
Hunter, M. A. (2003) Shakespearean Mix. Real Time, 58 40-40. 30  
Hunter, M. A. (2002) Some Signs of the Times. YAQ Papers, 4 1: 4-6. 40  
Hunter, M. A. (2000) Susan Richer on children, art and festivals. Real Time, 39: 8-8. 49  
Hunter, M. A. (2003) The Bridge: Between Iron and Flesh. Real Time, 56 1-7. 28  
Hunter, M. A. (2003) The Fable: Sound and Body. Real Time, On-Line. 46  
Hunter, M. A. (2003) The Power of Perilous Negotiations. Real Time, 55 45-45. 31  
Hunter, M. A. (2003) To Drive the Work, Compel the Listening. Real Time, 55 7-8. 40  
Hunter, M. A. (2004) Utopia maps and ecstasy: Configuring space in Barrie Kosky's 1996 Adelaide festival. Australasian Drama Studies, 44: 36-51. 82   Cited 0 times in Scopus0
Hunter, M. A. (2004) Utopia maps and ecstasy: Configuring space in Barrie Kosky's 1996 Adelaid festival. Australasian Drama Studies, 44 36-51. 57   Cited 0 times in Scopus0
Hunter, M. A. (2003) Where to From Here?. YAQ Papers: On the Axis, 6 2: 21-25. 53  
Hunter, M. A. and Milne, G. (2005) Young people and performance in Australia and New Zealand. Australasian Drama Studies, 47 3-13. 70  
Hunter, M. A. (2001) Youth Arts Festivals and the Politics of Participation. Canadian Theatre Review, 106 Spring: 16-20. 106  
Hunter, Mary Ann (2008). Youthful presence: Nick Enright as Teacher and a property of the clan. In Anne Pender and Susan Lever (Ed.), Nick Enright : An actor's playwright (pp. 79-93) Amsterdam ; New York: Rodopi B.V.. 452