School of Music Publications

Browse Results (1094 results found)

Subscribe to the RSS feed for this result setSubscribe to the RSS feed for this result set

Page 1 of 22

Result Pages:    1 2 3 4 5 6 7 8 9 10  next › last »

  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Ballantyne, Julie (2012) Διερευνώντας το σοκ της διδακτικής πράξης σε νεοδιόριστους Αυστραλούς εκπαιδευτικούς μουσικής: το αντίκτυπο της εκπαίδευσης των εκπαιδευτικών. Musical Pedagogics, 10 14-30. 112 3
Harald, Luke, Topology and Davidson, Robert (2005) 1. Surroundings. Creative Industries Precinct, Kelvin Grove, QLD, Australia, Australian Computer Music Conference. 51  
Chalabi, Adam (2012) 2012 Mostly Mozart Series. Melbourne Recital Centre, Melbourne, Australia, Orchestra Victoria. 39 7
Chalabi, Adam (2013) 2013 Mostly Mozart Series. Melbourne Recital Centre, Melbourne, Australia, Orchestra Victoria. 39 17
The Badinerie Players and O'Loghlin, Michael (2012) 21st century baroque. Basil Jones Orchestral Hall, Southbank, QLD, Australia, Queensland Conservatorium. 74  
Owens, Samantha (2006). ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s. In: Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, (). 26-30 July 2006. 47  
Lancaster, H. M. (2004) About the survey: Collecting and accounting for the data. Sounds Australian, 64 8-9. 162  
Davidson, Robert (2007) Above ground (Karak): For two percussion, string quartet and piano. The Rocks, NSW, Australia, Australian Music Centre. 228 6
Collins, Denis B. and Bevin, Elway A briefe and short instruction of the art of musicke by Elway Bevin. Edited by Collins, Denis B. Aldershot, U.K.: Ashgate, 2007. 571 7
O'Loghlin, Michael (2005). A brief polemic about the early music movement. In Elizabeth Mackinlay, Denis Collins and Samantha Owens (Ed.), Aesthetics and experience in music performance (pp. 49-54) Newcastle, England: Cambridge Scholars Press. 68  
Zhukov, Katie (2010). Achieving harmony in the instrumental studio: becoming a reflective teacher. In: Wendy Sims, Proceedings of the 29th World Conference of the International Society for Music Education. International Society for Music Education 29th World Conference (ISME 2010), Beijing, China, (224-227). 1-6 August 2010. 129 17
Davidson, Robert (2006). ACID Press: A rich media annotation system for the evaluation of creative work as research. In: Proceedings of Create World 2006. CW06: Create World 2006, Southbank, QLD, Australia, (). 5-6 December 2006. 73  
Owens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. In: Abstracts of the 9th Biennial ANZAMEMS Conference. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, (64-64). 12-16 February, 2013. 63  
Morgan, Kylie, Bartrop, R., Telfer, J. and Tennant, C. (2011) A controlled trial investigating the effect of music therapy during an acute psychotic episode. Acta Psychiatrica Scandinavica, 124 5: 363-371. doi:10.1111/j.1600-0447.2011.01739.x 51   5 Cited 6 times in Scopus6 2
Grinberg, Anna, Jennings, Graeme and Tomlinson, Vanessa (2010) Across the Pacific: new music for piano, percussion, violin. Ian Hanger Hall, South Bank, QLD, Australia, Queensland Conservatorium. 30  
Broughton, Mary C. and Davidson, Jane W. (2014) Action and familiarity effects on self and other expert musicians’ Laban effort-shape analyses of expressive bodily behaviors in instrumental music performance: a case study approach. Frontiers in Psychology, 5 1201.1-1201.18. doi:10.3389/fpsyg.2014.01201 34 8 0 6
A cultural psychology for music education. Edited by Margaret S. Barrett Oxford, United Kingdom: Oxford University Press, 2011. 113 2
Davidson, Robert (2005) Adams Fest. New Farm, QLD, Australia, Brisbane Powerhouse. 92 1
Baker, F., Kennelly, J. and Tamplin, J. (2005) Adjusting to change through song: Themes in songs written by clients with traumatic brain injury. Brain Impairment, 6 3: 205-211. doi:10.1375/brim.2005.6.3.205 165   0
Barrett, Margaret S. (2006). Aesthetic response. In McPherson, Gary E. (Ed.), The child as musician: A handbook of musical development (pp. 173-192) New York ; Oxford: Oxford University Press. 69 1
Aesthetics and Experience in Music Performance. Edited by Mackinlay, E., Collins, D. B. and Owens, S. K. Amersham: Cambridge Scholars Press, 2005. 106  
Aether Harp Quintet, Reeves, Lucy, Walsh, Michelle, Pollett, Patricia, Nolan, Patrick and King, Louise (2012) Aether Harp Quintet Exquisite Chamber Music Concert. Butter Factory Arts Centre, Cooroy QLD, Australia; St. Andrews Anglican Church, Brisbane, QLD, Australia, Aether Ensemble. 37  
Aether Instrumental Quintet, Pollett, P. E. M., Walsh, M., King, L., Reeves, L. and Nolan, P. (2012) Aether Instrumental Quintet: selected works. Customs House, Brisbane, QLD, Australia, The University of Queensland. 30  
Aether Instrumental Quintet, Pollett, P. E. M., Walsh, M., King, L., Reeves, L. and Nolan, P (2013) Aether Instrumental Quintet: selected works. Brisbane, QLD, Australia, The University of Queensland. 19  
Aether Instrumental Quintet, Pollett, P. E. M., Walsh, M., Nolan, P., Reeves, L. and King, L. (2012) Aether Quintet performance. Ian Hanger Recital Hall, Southbank, QLD, Australia, Queensland Conservatorium, Griffith University; Crossbows Festival. 38 1
Tinalley String Quartet, Chalabi, Adam, Delbridge, Lerida, Williams, Justin and Wood, Michelle (2012) A feast of language. Adelaide; Melbourne; Canberra; Sydney, Australia, Tinalley String Quartet. 16 6
Perry, Simon (2003) Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1. Musicology Australia, 26 1-37. 378 2
Owens, Samantha (2014) Agostino Steffani (1654-1728). :Radio New Zealand. (Concert-FM: Composer of the Week talks) 22  
Owens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. In: Melbourne Bach Forum, Melbourne, Australia, (). 25-27 July 2014. 40  
Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. In: The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, (). 29 September-1 October 2014. 47  
Matsunobu, K. (2006). A holistic vision of curriculum integration: From the Japanese perspective. In: Wendy L. Sims and Ramona Tahir, ISME 2006 proceedings. 27th World Conference of the International Society for Music Education, Kuala Lumpur, Malaysia, (). 16-21 July, 2006. 82  
Loops, Dimond, Jon, Topology and Davidson, Robert (2005) Airwaves: 100 years of radio. Brisbane, QLD, Australia, Serrated Records. 268 6
Ballantyne, Julie and Bartleet, Brydie-Leigh (2010). A letter to pre-service music teachers. In Julie Ballantyne and Brydie-Leigh Bartleet (Ed.), Navigating music and sound education (pp. xvii-xx) Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. 158 17
Jezek, Belinda, Albert, Anna, Tillers, Isidore, Murphy, Patrick, Brigden, Tim, Abela, Jacob, Halcyon, Morgan, Alison, Duck-Chong, Jenny and Gartner, Geoff (2009) All heaven shouted for joy: Stations of creation 2009. A musical celebration of the wonder and joy of creation and birth. Sydney, NSW, Australia, St Ives Uniting Church. 94 36
Barrett, Margaret S. and Smigiel, Heather M. (2003). All the chalk would be white: Australian children's perspectives of the meaning, value and purpose of the arts in their lives. In: AERA 2003: "Accountability for Educational Quality: Shared Responsibility". 84th Annual Meeting of the American Educational Research Associatio, Chicago, IL, U.S.A., (). 21-25 April 2003. 58  
Gillies, M. G. (2000). Analyzing Bartok's works of 1918-1922: Motives, tone patches, and tonal mosaics. In Elliott Antokoletz, Victoria Fischer and Benjamin Suchoff (Ed.), Bartok perspectives: Man, composer, and ethnomusicologist (pp. 43-60) New York: Oxford University Press. 157  
Broughton, Mary C. and Stevens, Catherine J. (2012) Analyzing expressive qualities in movement and stillness: Effort-shape analyses of solo marimbists' bodily expression. Music Perception, 29 4: 339-357. doi:10.1525/mp.2012.29.4.339 208   1 Cited 0 times in Scopus0 0
Ballantyne, Julie (2004). An analysis of current reform agendas in preservice teacher education in Queensland. In McWilliam, Erica, Danby , Susan and Knight, John (Ed.), Performing educational research: theories, methods and practices (pp. 265-276) Flaxton, Australia: PostPressed. 58  
Sellars, Elizabeth, Viney, Liam, Pollett, Patricia and Murphy, Patrick (2010) Andrew Ford's The Scattering of Light: World Premiere performance and commission. Customs House, Brisbane, QLD, Australia, The University of Queensland. 154 77
Davidson, Robert, Rozario, Patricia and Mehta, Rajesh (2012) An equal music: musical interactions between India and the West. Brisbane, Australia, Encounters India Symposium. 25  
Canham, Nicole and Charles, Carlos Lopez (2014). An evolving collaboration: performer and composer approaches to creating visual music. In: Toby Gifford, CreateWorld 2014: A Digital Arts Conference. Conference Proceedings. CreateWorld 2014, South Bank, QLD, Australia, (22-28). 12-13 February, 2014. 45 3
Davidson, Robert, Parks, Van Dyke and Friedman, Kinky (2011) An exploration of cross-genre music making: Robert Davidson and Van Dyke Parks: Australian Tour 2011. Australia, Mobile Industries and Troy Horse. 25  
Brisbane Chamber Choir and Morton, Graeme (2009) Angel song. Indooroopilly, QLD, Australia, Lodestar Recordings. 89 1
Owens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. In Margaret S. Barrett (Ed.), Collaborative creative thought and practice in music (pp. 143-155) Burlington, VT, United States: Ashgate. 50 3
Ledger, Alison J. and Baker, Felicity A. (2007) An investigation of long-term effects of group music therapy on agitation levels of people with Alzheimer's Disease. Aging and Mental Health, 11 3: 330-338. doi:10.1080/13607860600963406 358   24 Cited 31 times in Scopus31 1
Zhukov, Katie (2009) Ann Ghandar. Ragtime suite: Rainy day rag. Ultimo, NSW, Australia, ABC Classic FM. 56 1
Davidson, Robert and Butterfingers (2006) Anthem (arrangement). Brisbane, Australia, Robert Davidson. 63  
Dvorak, Antonin, Yoshimoto, Natsuko, Murphy, Patrick and Balkus, Bernadette (2008) Antonin Dvorak: Piano trio in E minor, Op 90. 'Dumky' for violin, cello and piano. Freshwater, NSW, Australia, Bernadette Balkus. 47 13
Freeman, P. A. (2004). Antonio Carlos Jobim: Eclecticism in popular music. In M. Ewans, R. Halton and John A. Phillips (Ed.), Music Research: New Directions for a New Century 1st ed. (pp. 264-276) Cambridge: Cambridge Scholars Press. 102  
Owens, Samantha (2007) Antonio Vivaldi as an Opera Composer. Radio New Zealand. 44  

Page 1 of 22

Result Pages:    1 2 3 4 5 6 7 8 9 10  next › last »