School of Music Publications

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  Abstract Views File Downloads Thomson Reuters Web of Science Citation Count Scopus Citation Count Altmetric Score
Ballantyne, Julie (2012) Διερευνώντας το σοκ της διδακτικής πράξης σε νεοδιόριστους Αυστραλούς εκπαιδευτικούς μουσικής: το αντίκτυπο της εκπαίδευσης των εκπαιδευτικών. Musical Pedagogics, 10 14-30. 105 3
Harald, Luke, Topology and Davidson, Robert (2005) 1. Surroundings. Creative Industries Precinct, Kelvin Grove, QLD, Australia, Australian Computer Music Conference. 45  
Chalabi, Adam (2012) 2012 Mostly Mozart Series. Melbourne Recital Centre, Melbourne, Australia, Orchestra Victoria. 19  
Chalabi, Adam (2013) 2013 Mostly Mozart Series. Melbourne Recital Centre, Melbourne, Australia, Orchestra Victoria. 14 1
Owens, Samantha (2006). ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s. In: Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, (). 26-30 July 2006. 39  
Morton, Graeme, Brisbane Chamber Choir and Adelaide Chamber Singers (2012) About Mice, Cats and the Lamb. St John's Anglican Cathedral, Brisbane, Australia, Graeme Morton. 38  
Lancaster, H. M. (2004) About the survey: Collecting and accounting for the data. Sounds Australian, 64 8-9. 158  
Davidson, Robert (2007) Above ground (Karak): For two percussion, string quartet and piano. The Rocks, NSW, Australia, Australian Music Centre. 221 6
Collins, Denis B. and Bevin, Elway A briefe and short instruction of the art of musicke by Elway Bevin. Edited by Collins, Denis B. Aldershot, U.K.: Ashgate, 2007. 559 7
O'Loghlin, Michael (2005). A brief polemic about the early music movement. In Elizabeth Mackinlay, Denis Collins and Samantha Owens (Ed.), Aesthetics and experience in music performance (pp. 49-54) Newcastle, England: Cambridge Scholars Press. 58  
Zhukov, Katie (2010). Achieving harmony in the instrumental studio: becoming a reflective teacher. In: Wendy Sims, Proceedings of the 29th World Conference of the International Society for Music Education. International Society for Music Education 29th World Conference (ISME 2010), Beijing, China, (224-227). 1-6 August 2010. 116 13
Davidson, Robert (2006). ACID Press: A rich media annotation system for the evaluation of creative work as research. In: Proceedings of Create World 2006. CW06: Create World 2006, Southbank, QLD, Australia, (). 5-6 December 2006. 69  
Owens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. In: Abstracts of the 9th Biennial ANZAMEMS Conference. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, (64-64). 12-16 February, 2013. 42  
Morgan, Kylie, Bartrop, R., Telfer, J. and Tennant, C. (2011) A controlled trial investigating the effect of music therapy during an acute psychotic episode. Acta Psychiatrica Scandinavica, 124 5: 363-371. doi:10.1111/j.1600-0447.2011.01739.x 49   5 Cited 6 times in Scopus6 2
Broughton, Mary C. and Davidson, Jane W. (2014) Action and familiarity effects on self and other expert musicians’ Laban effort-shape analyses of expressive bodily behaviors in instrumental music performance: a case study approach. Frontiers in Psychology, 5 1201.1-1201.18. doi:10.3389/fpsyg.2014.01201 14   0 6
A cultural psychology for music education. Edited by Margaret S. Barrett Oxford, United Kingdom: Oxford University Press, 2011. 99 2
Davidson, Robert (2005) Adams Fest. New Farm, QLD, Australia, Brisbane Powerhouse. 85 1
Baker, F., Kennelly, J. and Tamplin, J. (2005) Adjusting to change through song: Themes in songs written by clients with traumatic brain injury. Brain Impairment, 6 3: 205-211. doi:10.1375/brim.2005.6.3.205 158   0
Owens, Samantha Adonis. Edited by Johann Sigismund Kusser and Samantha Owens Middleton, WI: A-R Editions, 2009. 212 2
Barrett, Margaret S. (2006). Aesthetic response. In McPherson, Gary E. (Ed.), The child as musician: A handbook of musical development (pp. 173-192) New York ; Oxford: Oxford University Press. 67 1
Aesthetics and Experience in Music Performance. Edited by Mackinlay, E., Collins, D. B. and Owens, S. K. Amersham: Cambridge Scholars Press, 2005. 104  
Tinalley String Quartet, Chalabi, Adam, Delbridge, Lerida, Williams, Justin and Wood, Michelle (2012) A feast of language. Adelaide; Melbourne; Canberra; Sydney, Australia, Tinalley String Quartet. 13 2
Perry, Simon (2003) Agonising over orthography: Aspects of notation from Tristan to Opus 11, number 1. Musicology Australia, 26 1-37. 364 2
Owens, Samantha (2014) Agostino Steffani (1654-1728). Wellington, NZ: Radio New Zealand. (Concert-FM: Composer of the Week talks) 10  
Owens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. In: Melbourne Bach Forum, Melbourne, Australia, (). 25-27 July 2014. 23  
Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. In: The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, (). 29 September-1 October 2014. 19  
Matsunobu, K. (2006). A holistic vision of curriculum integration: From the Japanese perspective. In: Wendy L. Sims and Ramona Tahir, ISME 2006 proceedings. 27th World Conference of the International Society for Music Education, Kuala Lumpur, Malaysia, (). 16-21 July, 2006. 76  
Loops, Dimond, Jon, Topology and Davidson, Robert (2005) Airwaves: 100 years of radio. Brisbane, QLD, Australia, Serrated Records. 259 6
Ballantyne, Julie and Bartleet, Brydie-Leigh (2010). A letter to pre-service music teachers. In Julie Ballantyne and Brydie-Leigh Bartleet (Ed.), Navigating music and sound education (pp. xvii-xx) Newcastle upon Tyne, United Kingdom: Cambridge Scholars Publishing. 152 17
Jezek, Belinda, Albert, Anna, Tillers, Isidore, Murphy, Patrick, Brigden, Tim, Abela, Jacob, Halcyon, Morgan, Alison, Duck-Chong, Jenny and Gartner, Geoff (2009) All heaven shouted for joy: Stations of creation 2009. A musical celebration of the wonder and joy of creation and birth. Sydney, NSW, Australia, St Ives Uniting Church. 75 26
Barrett, Margaret S. and Smigiel, Heather M. (2003). All the chalk would be white: Australian children's perspectives of the meaning, value and purpose of the arts in their lives. In: AERA 2003: "Accountability for Educational Quality: Shared Responsibility". 84th Annual Meeting of the American Educational Research Associatio, Chicago, IL, U.S.A., (). 21-25 April 2003. 57  
Gillies, M. G. (2000). Analyzing Bartok's works of 1918-1922: Motives, tone patches, and tonal mosaics. In Elliott Antokoletz, Victoria Fischer and Benjamin Suchoff (Ed.), Bartok perspectives: Man, composer, and ethnomusicologist (pp. 43-60) New York: Oxford University Press. 155  
Broughton, Mary C. and Stevens, Catherine J. (2012) Analyzing expressive qualities in movement and stillness: Effort-shape analyses of solo marimbists' bodily expression. Music Perception, 29 4: 339-357. doi:10.1525/mp.2012.29.4.339 173   1 Cited 0 times in Scopus0 0
Ballantyne, Julie (2004). An analysis of current reform agendas in preservice teacher education in Queensland. In McWilliam, Erica, Danby , Susan and Knight, John (Ed.), Performing educational research: theories, methods and practices (pp. 265-276) Flaxton, Australia: PostPressed. 56  
Sellars, Elizabeth, Viney, Liam, Pollett, Patricia and Murphy, Patrick (2010) Andrew Ford's The Scattering of Light: World Premiere performance and commission. Customs House, Brisbane, QLD, Australia, The University of Queensland. 114 56
Canham, Nicole and Charles, Carlos Lopez (2014). An evolving collaboration: performer and composer approaches to creating visual music. In: Toby Gifford, CreateWorld 2014: A Digital Arts Conference. Conference Proceedings. CreateWorld 2014, South Bank, QLD, Australia, (22-28). 12-13 February, 2014. 37 2
Brisbane Chamber Choir and Morton, Graeme (2009) Angel song. Indooroopilly, QLD, Australia, Lodestar Recordings. 74 1
Owens, Samantha (2014). An Historical Perspective on Creative Collaboration: The Composition of Theatrical Dance Music at the Early Modern German Court. In Margaret S. Barrett (Ed.), Collaborative Creative Thought and Practice in Music (pp. 143-155) Farnham, Surrey: Ashgate. 14  
Ledger, Alison J. and Baker, Felicity A. (2007) An investigation of long-term effects of group music therapy on agitation levels of people with Alzheimer's Disease. Aging and Mental Health, 11 3: 330-338. doi:10.1080/13607860600963406 344   23 Cited 30 times in Scopus30 1
Zhukov, Katie (2009) Ann Ghandar. Ragtime suite: Rainy day rag. Ultimo, NSW, Australia, ABC Classic FM. 52 1
Davidson, Robert and Butterfingers (2006) Anthem (arrangement). Brisbane, Australia, Robert Davidson. 60  
Freeman, P. A. (2004). Antonio Carlos Jobim: Eclecticism in popular music. In M. Ewans, R. Halton and John A. Phillips (Ed.), Music Research: New Directions for a New Century 1st ed. (pp. 264-276) Cambridge: Cambridge Scholars Press. 97  
Owens, Samantha (2007) Antonio Vivaldi as an Opera Composer. Radio New Zealand. 32  
Collins, Denis and Schloss, W. Andrew (2001) An Unusual Effect in the Canon Per Tonos from J. S. Bach's Musical Offering. Music Perception, 19 2: 141-154. 1212 645
Kim, J. Approaches to Case-Study. A handbook for those entering the therapeutic field (Korean Translation of ‘Approaches to Case Study’ by Robin Higgins). Seoul: Hakjisa publishers, 2003. 129  
Collins, D. B. (2004). Approaches to invertible canonic composition in late sixteenth-century theory and practice.. In M. Ewans, R. Halton and J. Phillips (Ed.), Music Research: New Directions for a New Century 1 ed. (pp. 368-375) London: Cambridge Scholars Press. 85  
McFerran, K., Baker, F. A., Patton, G. C. and Sawyer, S. M. (2006) A retrospective lyrical analysis of songs written by adolescents with anorexia nervosa. European Eating Disorders Review, 14 6: 397-403. doi:10.1002/erv.746 229   11 Cited 14 times in Scopus14 0
Morton, Graeme and Terpstra, Karen (2012) Arise my love, my fair one. Brisbane, QLD, Australia, Graeme Morton. 43  
McKone, Elinor, Stokes, Sacha, Liu, Jia, Cohan, Sarah, Fiorentini, Chiara, Pidcock, Madeleine, Yovel, Galit, Broughton, Mary and Pelleg, Michel (2012) A robust method of measuring other-race and other-ethnicity effects: the Cambridge Face Memory Test format. PLoS ONE, 7 10: e47956.1-e47956.6. doi:10.1371/journal.pone.0047956 28   4 Cited 5 times in Scopus5 3
Matsunobu, Koji (2012). Art of simplicity: Teaching Japanese spiritual arts. In Sheng Kuan Chung (Ed.), Teaching Asian art: Content, context, and pedagogy (pp. 139-145) Reston, VA, United States: National Art Education Association. 87 4

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